MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING

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SHAHSAVARANI FARIDEH

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Journal: Naghsh Mayeh Year:2014 | Volume:8 | Issue:20 Page(s): 39-49

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Title

MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING

Author(s)

SHAHSAVARANI FARIDEH | Issue Writer Certificate

Keywords

MAHMOUD SABAQ2

MODERN PAINTINGQ2

EUROPEAN PAINTINGQ2

QAJAR ERAQ2

Abstract

MAHMOUD SABA (Mahmoud Khan Malek-ol Shoara Sabaye Kashani) can be considered the best example and model of modernity in painting in the QAJAR ERA. He neither lost his essence and his roots, nor was saturated in the principles of Western art. Indeed, the pillars of his perspective were innovation and creating new images by mixing Iranian artistic tradition with the principles and rules of EUROPEAN PAINTING. In his precise and photographic paintings of buildings and other scenes of Tehran during the age of Nasseredin Shah, he used his great talent in perspectives and reproduction of the quality of light. His simple and unpretentious works embodies international evolution and reflects his age and time. It is for this reason that his works has both artistic and historic merit. Methodology of this interpretative- analytical research is based on the phenomenology of "Edmund Husserl", and the data brought together from documents, books, art works, and paintings.

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APA: Copy

SHAHSAVARANI, FARIDEH. (2014). MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING. NAGHSH MAYEH, 8(20), 39-49. SID. https://sid.ir/paper/184138/en

Vancouver: Copy

SHAHSAVARANI FARIDEH. MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING. NAGHSH MAYEH[Internet]. 2014;8(20):39-49. Available from: https://sid.ir/paper/184138/en

IEEE: Copy

FARIDEH SHAHSAVARANI, “MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING,” NAGHSH MAYEH, vol. 8, no. 20, pp. 39–49, 2014, [Online]. Available: https://sid.ir/paper/184138/en

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