The artistic imaginary is one of the fundamental peculiarities of Qur’anic text that each of the scholars for verbal miracle of Qur’an in the past centuries, without applying such a term, focused on the militant aspects such as verbal proportion, semantic and dedication. However, contemporary writers such as Sayyid Qutb have gone beyond the old scholars and by explaining the term of artistic imagination specified it the most important element and considered as live and artistic sketching of different worldly and otherworldly domains. In this paper, by assembling old rhetoric and contemporary literature, the author tries to study the artistic imagery of benefactors and their otherworldly place in the chapter Insaan. And through study, it tries to highlight important elements of artistic imagery such as topic, word, accent, feeling, movement, color, dialogue and to the extent aesthetic manifestation of this imagery.