DIDACTIC LITERATURE REVIEW (PERSIAN LANGUAGE AND LITERATURE REVIEW)
Year:2010 | Volume:2 | Issue:6|Papers Count:9

The aim of this article is to show that the "Tragic structure" in the Story of Siyavsh is describable. In the story we see the tragic evolution of characters, events and scenes. Sometimes the events in the story are so intensely interwoven that the cause and effect relationship of events cannot be separated and removing one element in the story would seriously affect all the elements and factors that make up the totality of the work. Therefore through the study of these factors, and elements it is possible to carry out a analytical study of the tragic story of Siyavash.

During one hundred years of Persian literature, Persian poets of Esfahan were brilliant. The famous sixth century poet, JAMALOODIN ABDOLRAZAGH ESFAHANI is known by everybody. However, have already been Persian poets in Esfahan before sixth century? The following verse from JAMALOODIN ABDOLRAZAGH ESFAHANI shows that the poet and his contemporaries consider themselves the remainder of early poets. HAKIM SANAIE GHAZNAVI in his Divan has mentioned a poet namely ZOLLESANAIN and described him in an ode which show the described poet is one of the oldest Persian poet of Esfahan. This poet is ABOLFATH MOHAMAD EBN ALI EBN MOHAMAD ESFAHANI. His elderly life is coincided by the birth of JAMALODIN ABDOLRAZAGH. Unfortunately there is no remaining Divan except few verses in the book of ALMOJAM FI MAYER ALASHAR ALAJAM. this paper is an attempt for recognizing verses from this poet.

One of the important dialectique in Persian literature is human actions. The poets and the authors express their ideas about human and his position in various styles. The most important in social communications is discourse. Humankind shows their ideas and wishes even their friendship and the enmity in their talking. This article analyzed The Sadis ideas. The method of this exploration is descriptive analytical Sadi's approaches canbe investigated in two demensions: saying (authenticity of thinking and strengthen of humanistic substratum; authenticity of communicative competence and continuity of relations) and (increasing the acknowledge) and inhearing: (evaluation and apprehension) and talking.

Mystical AHVAL is one of the important topics of Islamic mysticism and Sufism. The ascetic in his complementary way has to purify himself to prepare receiving AHVAL. Besides the great situation of certainty (YAQIN) in Quran, mystics pays a lot of attention to it as one mysticism AHVAL and considers it as the base of mysticism AHVAL. Most of poetes pay attention to certainty (YAQIN) topic and describe different aspects of it. Because of this mysticism AHVAL in verse texts, it has a great reflexibility.This article analyses certainty (YAQIN) as the last of mysticism AHVAL and describec, it's reflexibility in this text by studying mysticism verse texts until the end of 6th century.

Creativity and innovation in different languages and literary genres cause the transforming of speech and placing of it in a higher position. Investigation of styles of poets and the characteristic manifestations result in careful cognition of poetry. GHEYSAR AMINPOUR is well known for creativity in his poems. Poetry talent along with university education gave him a power to select words and combine them in such a way to create new combinations. He has a special technique in playing with words especially in pun, allusion, and literary devices. He used allusion devices to create new combination and this innovation can be seen throughout his literary works. The aim of this article is to recognize the new combination of words especially those that are very prominent. For carrying this investigation, five poetry notebooks; namely, AYNEHAI NAGAHAN, GOLHA HAME AFTABGARDANAND, TANAFOS SOBH, DAR KOCHE AFTAB, and DASTORE ZABANE ESHGH have been investigated.

Reporting and explaining of verses of literary works which is known as TALIGHAT has a long history of five hundred years old. In the contemporary period, researchers and investigators have also written explanations on the old Persian literary works in the form of article or reports. It is necessary to note that the surface structure of important literary texts is the first means for reaching to the deep structure. Therefore, the exact report of verses and literary expressions shouldn’t be neglected. The significant and usefulness of such reports become more obvious when we notice to the reports that M.A. and PhD students are writing. Unfortunately, We see that they are still unable to read the reports of old words and verses in literary texts.This article is one of my unorganized notes which I have written in the margin of Dr.JAFAR SHAHIDI's commentary of MATHNAVI. In fact this research is a marginal writing to the marginal writing of Dr. SHAHIDI for the sixth book of the MATHNAVI. To my opinion, this hemistich needs more attention and analysis. MATHNAVI MANAVI is among those books which consist of huge amount of information about culture of common people as well as valuable literary advices. This masterpiece has special, cultural and literary indexes which is incomprehensible for today's readers. The compound SERE SOFRE which MOLANA has used in hemistch of CHON SERE SOFRE ROKHE OU TOEY TOEY has created a problem for me and other commentators also have had trouble interpreting it. This compound hasn't been recorded in any Farsi dictionary. The writer of this article has tried to explain the different meanings of this compound in literary books and its usage in other literart works. The meaning of the mentioned hemistich is explained by using different sourced. We hope that the present article meant no disrespect to the great commentator, Dr. SHAHADI.

Modernism in the literature shows Disconnection from ruling traditions and conventions and creating new ways for looking at human position and his/her role in the system of universe. Modernism have special external and internal characteristics, like separation from the proportion of individualism and emphasizing on creative individuality of an artist, loneliness feeling, alienation and desperation preference of unconscious to conscious,  free association and unconscious stream of mind and paying attention to psychologists like Freud and Jung and some of the existentialists. Innovation is more comprehensive than Modernism. It pertains to a specific period (early twentieth century) and just like any other literary movements has reached to its peak and then has been replaced by another movement namely, post Modernism. Innovation hasn’t any beginning or ending and throughout ages manifested in the literature and art as well as in modernism. Innovation means creativity and it is not an imitation. The question that the present article wants to answer is, Can the principal of innovation be seen in the poetry of Gheisar Amin pour? Before investigation of Gheisar Aminpour' poetry, special innovations can be seen in different periods in the Persian poetry. In the modern contemporary poetry, innovation and creativity in comparison with return literary style or even Mashrothe period is more preferable. The poetry of Gheisar Aminpour has some sort of innovation in outer form as well as inner form. In his prominent poetry whether classic or Neonimai we encounter a sort of innovation which is unprecedented in the previous poets. Defamiliarisation in the compound nouns such as Aieneh Nagahan is a title from one of his book which shows the innovation. In this article the collection of Tanafoseh Sobh has been investigated.

The motife of “Traveling” has a high and important position in the field of world literature and remarkable works based on have been created. In addition to uncountable poetical pieces- often- in description of enchanting and charming of traveling, so many epics, tales, fictions and travel accounts based on this old phenomenon of Mankind life are exposed to public view, in the literature domain, and some of most famous literary works are formed based on voyage and navigation. The writer attempt in this article is the presentation of most important works in this field and makes a comparison between classical and preceding Persian and European (Greek and Latin) works, also enumeration of similarities and differences of such kind.In this survey, we find out that some valuable works, in poetry and prose, in the Persian literature domain are created by talented and visulizer Persian writers which are notable and comparable with first rate works of world Literature. As the most important characteristics of these works can be enumerated as followings: confrontation with natural and supernatural obstacles and occurrences, welcoming to danger and adventuresomeness, heros’ entrance to unknown islands and places and finally shipwreck phenomenon.