JOURNAL OF STYLISTIC OF PERSIAN POEM AND PROSE (BAHAR-E-ADAB)
Year:2016 | Volume:9 | Issue:1 (31)|Papers Count:7

For a variety of reasons and purposes, adults always are looking for ways to enter and influence the imagines and the inner world of the children. Literature and poetry along with their forms, genres, techniques, and their specific literary and artistic elements, are considered as one of the oldest and most important human achievements in this field. Orators along with education scholars consistently have been the reference for the production of indelible and precious works in various fields with regard to fostering personality and skills dimensions of the children. In the meantime, considering the literary and poetic elements, poetic images play an important role with regard to affecting the mental world of the children. This article has investigated the effects of literary and imaginative images in Mostafa Rahmandoust teaching-cantered poetry. In order to meet this aim, first various kinds of educational concepts and then forms and features of those images which have been used in each of the educational topics in the Mostafa Rahmandoust poetry were analyzed. The results indicate that poetic images can play a significant role in indirect transfer of educational and cultural concepts in children poetry. The emotional functions of these images along with experimental, emotional, cognitive and imaginative abilities are effective factors in development of poet's intended cultural concepts in the kind of poetry.

Abstract Analysis of medical manuscripts has a special importance regarding identification of the history of science, using their contents for foundation of modern knowledge and being informed on the literary characteristics of the period in which they have been written. Therefore, their review and proofreading even if not be in the top notch category of the Persian literary works must be a priority for the investigators active in the field. In this article, the most important handwriting and stylistic features- The three levels of intellectual, linguistic and literary- with introducing of limit case of the manuscript of "masoumi's Qarabadin", the work of Masoum –bin-Karim -al -Din Shushtari Shirazi, one of the most important medical books written in the Safavid era, that its author had used init more than forty scholars’ references of his contemporaneous including Kamel -a- Sanaha, Zakhire – ye – Kharazm Shahi, Ghanoon, Al- Asbab va Al- Alamat and etc and recorded under no. 6322 at the Islamic Parliament Library is reviewed. This article will answer this question: what extent is the reciprocal effectiveness and impact of Qarabadin-e- Masoumi and the other mutual books written on this subject firstly and secondly what is Masoumi ‘s writing style according to the book subject And the period in which he lived.

"Latayef-ol-'ensha" is one of the scripts of eight century hijri wich is a collection of patterns and courses on letter-writing for scribes."Nasr-o-Allah ibn Alaa' al-Banna' al-Nasafi" is the autor of this book of whose birthdate and death date no precise information is available; however, according to some evidence, he must have been living in the eight century. He also used to be a scribe in the court of Mongolian Ilkhanate.The book contains a percieux prose and is considered to be among the invaluable Persian literature scripts. Since only to copies of this book is available in addition to the significant importance of them which gives us numerous insights into the literary, linguistic and social aspects of Mongol era, the researcher is introducing this work in the hope of shedding light on it along with making it avaluable to those interested. Therefore, in accordance with the topic as well as in order to get a better understanding of the work, efforts has been made to gather information about the author and consequently to clarify the issue, structure, script's features, style and writing system.

Abstract Mola Firooz, son of Mola Kavoos Yazdani Behikish, known as Persian Firooz, around the year 1182 AH was born in India. At the age of ten, he visited Iran with his father. About twelve years, he studied Science and accomplishments, and then returned to his homeland. Mola Firooz was highly respected in India near the great British leaders. Jonathan Denken, exarch of Bambay proposed him to write a history about British Rijal and their conquests in India. He accepted; hence he composed 4000 couplets of called "JARJNAMEH" in status of British rulers and occupation of India by them, in 3 voulmes. "Jarjnameh" had been written by the nephew of Mola Firooz, Rostam ebn keyghobaad was published as lithograph in Bambay. Mola Firooz’s other works are: Adelleh Ghavyyeh, din khord, safarnameh, resale esteshhad, Seh Gohar-e- Sharif, sad dar bandhesh, congress of Noshirvan and Geraminameh Yazdan. He passed away in 1245 AH. In this essay, in addition to introducing Mola Farooq, as well as presenting "Jarejnameh" and explaining the prominence of the language and its literature, with critical look, we enumerate its strenghths and weaknesses. Moreover, historical events that has given this essay have harmony with historical events in India.

Verse: “wisdom bids me go the wine abode, though wisdom has no say in my kingdom.” This verse in the famous copies of Hafez’s Divan, has been typed in a separated from of the word “hichkareh” means jobless or idle. Also, in the various commentaries, according to this same prescribed form of writing and conventional oppositeness mentality between wisdom and love, the wisdom as a shehneh chief of police has been taken for granted no one and idle. Being at issue, why the verse has been recorded in this prescribed form of writing and why, contrary to the verse structure, wisdom has been taken for granted no one and idle; after analyzing the verse in both forms of the word hichkareh and hitch-kareh, this article has preferred and suggested the hichkareh form. Because the verse with this suggested form, applicable to the theory of “Rendi (allegation of wisdom and love)” and is eliminated the negligence of grammatical imagination and incompatibility with the soul of the language, and stylistically can be a better representation for Hafez’s poetry.

Poetry is the creation of beauty using language. The poetr Fettles his/her speech like a bride with imagery and the effects of talk bride. Becomes more and more that it contains high romantic, gnostic and moral concepts. Sa’di in his Sessions (lyrics) speaks simply fluently and richly that is related to his linguistic style. Contradiction and “paradox” are among the literary novel industry that he uses in different forms in terms of structure and concept and given the subject and the objective toward creatiug beauty stating the above-mentioned themes. Sa’di occasionally expresses conteadictary affairs simply and ordinarily in his speech and states a point or reality and occasionally reveals his literary art technically, finely, beautifully and wonderfully, that is, from combining contradictory and paradonical and paradoxical affairs, creates a novele, artistic and wonderful image called “paradox” that is wonderful and taste friendly poetr is involved in defamiliarization using this wonderful literary trick. Therefore, it is considered a kind of marvel, since in marvel, a point, an image or a theme is presented that is against what which mind has accustomed to it in the usual and ordinary state. The contradictions in the lyrics of Sa’di are more than “paradoxes’’ of his lyrics and in general the number of marvrels used in Sa’di `s lyrics is greater than the number of images and paradoxical compounds.

The creation of new linguistic structures’ is the main need of any language in the process of social transformation and evolution as well as one of the methods of De familiarization of the word. So it considered as a common field between the new structural linguistic and the formal literary criticism. Today, a huge portion of literary studies, particularly poetry, are the structural and formal researches that Lead to new attitude in the region of literary criticism of Persian poetry. The Persian-language poets are not the same in the power of combination or considering to it. Among poets of fourth to seventh centuries, individuals like Ferdowsi, Nezami and khaghani have a lot of shine in this field but Rumi has a special place in this arena. The number and type of His combinations in Ghazaliat of Shams is considerable. In his Ghazaliat, There are hundreds new structures in the form of derivations, combinations, adduct, combination of attribute and likeness sentences that each requires separate review. So there are hundreds of new verbal structures such as Namazidan, Davane Kardan, Tabl Khordan etc. that structural Investigation and analysis of them is the subject of the present topic.