DIHKHUDA (ANALYSIS AND INTERPRETATION OF TEXTS IN PERSIAN LANGUAGE AND LITERATURE)
Year:2017 | Volume:9 | Issue:33 |Papers Count:8

The study of the genre types and their application of poetry. In this article, the genius types are studied in two sets of black poetry (classical) and Tassian (including poem by Nimaei and Sepid) by HushangEbtahaj. Each of these poetic witnesses is analyzed from the perspective of aesthetics and Ganaei. Findings of the research show that most of the Ganaeispecies are seen in HushangEbtehaj poetry. Specially, the types that represent themes such as love. Politics and society, this is a sign of the poet's romance style. His highest use is from pictorial rich species to descriptive species. In other words, the poet is engaged in illustrating the personal and social status of the era, rather than describing the objects of clothing.

Patriotic poems are the works which are about home, love it, issues and events related to it and having the common social, political, linguistic and religious emotion toward it. Patriotic poems have been unprecedented in the constitutional era in comparison to other periods of Persian poetry both in terms of bulk of poems and approach and the issues raised in it. Since the multiple poem has been applied by the poets of the constitutional era as the most effective format for conveying concepts, this article which is written based on the descriptive method, studies the patriotic poems in the most prominent multiple poems of the constitutional era, while discussing the history of patriotic poems in the Persian poetry. This article in addition to speaking about the types of patriotic poems in the multiple poems of the constitutional era, shows the main approaches of the poems of this era toward patriotic poems. The picture that most poets of this period present about the country is the national and ethnic country. Attention of the poems to the country is raised as of: mythology, Iranian nationalism, being proud of the historical background of Iran, suggesting the destruction of the country and asking people to build it up, anticipation for a better future and in the shape of Islamic country.

Epic is a war between two contradiction issues. In the thousand old year literature of Iran epic is divided into two types: Internal and External. Molana’ s masnavi includes: successive and various stories which each of them have mystical concepts. Although each of these stories has apparent diversity, has unit. Thought and veports the mental statuses that must pass difficult ways in returning to kingdom of heaven. Accordingly, masnavi, inspite of It`s appearance that in located in educational literature field, in regard to symbolic and allegorical meaning is a mystical epic, and it’ s core, is returning (coming back) of the spirit to the main home. That, which are the specifications of the mystical epic. And it's worth looking at this great work from the point of viewof Pahlavi literature. According to masnavi? And. Which elements and fields of molana’ s epic poem have been used, is a subject that we will address in this study in analyctical method.

Genette narrative model is one of the most effective theories in narratology. In a part of the theory Gé rard Genette studies the narrative time on three major issues: the order of the narrative, the speed of the narrative and the frequency of events. He showed that each of the three elements defined in this issue can speed up or slow down the narration or give a constant speed to the narration. Hakim Nizami Ganjavi’ s Khosrow and Shirin is one of the unsurpassed masterpieces in the realm of fiction. The perdurable magnum opus of Persian literature can be tested by the modern criteria of fiction and narratology knowledge due to accurate narrative capacities. So, this study is trying to introduce a new approach in studying Khamse’ s stories and identify narrative patterns of stories by analyzing the status and function of the element of time and by studying the scheduling of Khosrow and Shirin narrations. In addition to the recognition of Nizami’ s narrative grammar of the story, the researcher has considered linking the ancient Persian literature and modern approaches.

Badriddin Hilali, the late ninth century and early sixteenth century lyric poet whose poems he significantly with expressive images that are created using elements of imagery. Arches art is innovative in making similes and metaphors. Imagery of this study was to evaluate the different species, "simile, metaphor, alliteration, irony, diagnosis, " the poem is taken arches To answer the question of how much and how the poet of imagery and mental imagery is used in your poetry? He illustrations innovation or imitation of the past has been done in the area and what kind of imagery in his poetry is more frequent? In this speech was a library research method, the results were classified into descriptive analysis. It is with statistics to a holistic view of images and how to use them both quantitatively and qualitatively be provided. The results showed that compared high-frequency sensory especially in his poetry is metaphor. Stipulated metaphor, diagnosis, and metonymy allusion He also has the frequency. More images of his poetic descriptions lover or one of his moral and physical properties that are created with the help of natural manifestations. Arches art innovation and imagination in the use of force similes and allusions he is tangible.

Thousand and One Nights is a multinational literary cultures of different nations of the Orient in its place. In this work clearly, culture, gender and patriarchy can be seen, the present study was to investigate the story of the Thousand and One Nights, ideas and thoughts gender East will showcase the culture of the pastThe role of each of the two sexes (male and female) will be explained in this culture. The research, to investigate and represent the cultural area of the eastern countries of the Old Testament, especially the Sassanid era and the role and status of women and men in conflict with each other (as opposed to gender) is developed where Scheherazade as a perfect example of Sex couple's Sex symbol male and patriarchal system will be introduced. The results showThe woman in the story of the Thousand and One Nights has different roles, All she is tryingThe different roles assigned to women, his story is that one side is acceptable in male-dominated society SassanieraOn the other hand, for she is very important that the patient's mind and get ready to soften positive roles for women.

Concerning about the technological advances in the last decades and human alienation, Sohrab Sepehri has a deep viewpoint to the worldwide affairs. His poems reflect the problems and paradoxes in the modern world. While creating symmetry, he is portraying the Past and Present, Terrestrial and Extraterrestrial, in which the superiority is always given to the Past in his perfectionist mind. Sohrab is so awaken and multidimensional that to pursue sublimity he barely needs exaggeration. He surpasses the analytical reasoning clearance to express his message with supreme astonishment. Introversion and peacefulness in the lap of nature is one of the paramount in his poetry which are inspired by mysticism and romanticism in his thoughts which look up to sublimity. Problem: The question is whether Sohrab is looking for the usefulness in his poetry or astonishment? The hypothesis is that he is trying to use complicated images, to create astonishment, sublimity, mental and emotional induction in order to guide himself and his readers to another world and beyond. Significance of the Study is that the multidimensional sublimity in Sohrab is comparable to the ideas in Longinus, Burke and Kant. In other terms, Sohrab is pursuing an endless and non-conformist mystical love with an astonishing depth.

Archaism is a kind of deviation and deflection of the common and soft language and the use of the obsolete or syntax unusual in the modern language. Perception of these terms requires hesitation in the language and its revolution. Change in language is natural that some vocabularies and structures are entered in the language and some of them are obsoleted. In this article, the pomes of Parvin Etesami and Frough Farrokhzad were investigated accordingly in documentary method. The connection between Parvin and Khorasani and Eraqi styles has led to manifestation of archaism significantly in her poems and the consistency of her poems lies in the connection to the Iranian ancient literature. However, archaism is not seen significantly in the poems of Frough Farrokhzad, the contemporary poet of Parvin according to thepoet’ s modernity and the proximity of her language to the modern speech and the use of modern vocabularies. In some cases, this trend has caused to vulnerability in the soft language of Frough. Twelve poems of the Frough Captive Poems and ten odds of Parvin have been studied comparatively. It was concluded that Frough has chosen the ancient literary men style in use of some common adverbs and adjectives. Parvin has employed old vocabularies and reduction of conglobation in terms of syntax and use of words instead of each other in ancient form and archaic experience and continuation of the heritage of the ancient art in the modern art.