JOURNAL OF LITERARY AND RHETORICAL STUDIES
Year:2015 | Volume:3 | Issue:2 (10)|Papers Count:6

Because of archetypal foundations and roots in the human’s unconscious; mythical narratives of different nations are not stories without any relations to each other, also there is a link between this mythology. Different nations have different perception from a mythical reality due to time, space and geography which it would be consistent with the theory of intertextuality.Deep intakes can be found from texts which were formed according to myths, with using the theory of intertextuality. According to this theory No texts is independent to other texts and each text is aintertexual of primeval texts. In this research with using attributive-analytical and the purpose of demonstration and showing the mutual features between these two mythical narratives, vegetal resurrection in Iran and Egypt (Keikhosrow and Horus), according to intertextuality theory, this result has been achieved which these narratives have mutual features and in so many cases they have assimilation. in this way, “the way of birth and growth”, “connection with sun”, existence of the goddess of fertility”, foe and terminator”, resurrection and vendetta”, “assist the dead ones” are propositions of these two narratives. Achieve intertextuality from Analysis of mutual features is the main accomplishment in this research.

Defamiliarization in the world of text, including all are techniques that are involved in foregrunding a literary text and usually associated whit some kind of Deviation. And can be said foregrunding and devaiation the result is Defamiliarization. One type of Deviation that the poet for literary cffect that undermines is gerammatical Deviation and it means escape from the gerammatical rules of the language syntax. Every language has a specific gerammatical structure that according to the order will measure language. But the language of poetry, disappear this order and structure and a foregrunding will be formed. In other words poet use grammatical features in order to accentuate his poem seeks interest is gerammatical deviation is seenvarious forms in the poetry of different poets.Manochehr Atashi poetry reviews have shown that he also used gerammatical deviation in both part (word) and gerammer. Types of deviation in word level in Atashi’s poetry are: construction of new words, used ancient vocabulary, using modern vocabulary and application of native words. Also in gerammatical level of Atashi’s poetry examples of escape from the norm can be seen that the poet in this way, attention to Defamiliarization. These essays examined by different cases somehow escape this gerammatical rule and has shown Atashi has been used what methods of fire in order strangers making way his poetry.

Nostalgia is sadness because of separation from home or sadness result of bittersweet reminders of the past, that occurs at every person in the form of conscious or unconscious.The aim of this study is to describe and analyze the diverse manifestations of nostalgia from home in Shafiie Kadkani’s poems, that Is expressed with focuses on unity with nature, Nishapur in position of symbol of cultural and historical all of Iran and the world without borders, while belonging to history homeland. between various examples of nostalgia, grief of being away from home is a key element, also the main theme in the Shafiie Kadkani’s poems, is country; thus the authors after, in sections of nostalgia of hometown Nishapur, Khorasan and Iran, deal to analizing poems of Shafiie Kadkani. This essay, describes and analyzes the various manifestations of nostalgia in the homeland Shafiie Kadkani’s poem and they found that the effects collective nostalgia, in his poems are wider and deeper than personal nostalgia.

The use of various literary works and writing helps to teens acquired and experience different information, Insight to expand and become familiar with their national culture. One of these valuable ancient texts is the Masnavi. Transmission Educational concepts in the form of story and Interesting tales, Will the institutionalization these concepts in the character of children and adolescents and nurtures the imagination and questioning them. The aim of this study was to evaluate educational concepts in Rewritten stories of Masnavi for young people. to answer the question of how they could write the authors of educational concepts and training Masnavi transfer to the next generation? In most rewritings Done of Masnavi, Because of the weakness in the processing Story structure and a lack of creativity Writers, Transmission Masnavi worth concepts Not doing well and Instead of rewriting and creativity In the provision of educational concepts, Witness are descriptions and translation and rewriting Word for word (simple) stories and anecdotes.

One of the topics pleasant and efficient attention to the beginning of the poem in Dari literature has attracted scholars and poetry lovers Requiem writing in Persian poetry. The oldest of the poets of Persian poetry in Court. Khaghani Shervani is one of the poets he most common topics of his day trial edition has And his master's words proved types. Khaghani like other people, have always been a bittersweet transition events He is full of grief Court wrote in relatives mourning loved ones. In other words, given that the Requiem has made the right Svgnamh And elegies which is essential to the strength and elegance of the dilution effect and pleasant and Drdangyzy and Shvrafryny The elegies for the poet is feeling the fullest extent. This article has been Khaghani Requiem court.

Nostalgia is one of the hot-debated issues in critical psychology, which has been translated as the yearning or gloom in Persian. It is defined as the regret of the sweet past and the contrast of the present with the past. The feeling of alienation and being remote from the home, remembering death, the regret of childhood and youth, the separation of the beloved, remembering the glorious era of history, desire for the ancient times, and the hope for Utopia are considered as its components. Ahmad Azizi has depicted any shapes and dimensions of sympathy, regret and anguish in her poems. Utilizing a nostalgic approach to the past, this paper has reflected upon love, memories of childhood and youth and hope for Utopia and aimed at explaining each one's manifestation through a comparative perspective.