فنون ادبی
سال:1393 | دوره:6 | شماره:1 (پیاپی 10) |تعداد مقالات:13

Stylistics is a knowledge that has been particularly considered by writers and speakers. Literary style of every writer shows the way of indicating speaker’s thought and it is his opening key of speech’s style in conveying meaning to the addressee’ s mind. Type of words, structures, sentences, and the way of interpreting meaning are factors in literary style elements. The effect of Khaje Abd ol-Lah Ansari’s word on Sufi didactic literature is known among literary scholars. Deeply mystical concepts’ integration with eloquent style in song has made the works of Khaje eternal; so stylistic research about his works can show good points in literary aesthetics of his works. So besides Al-Sufi categories, his five epistles are the most preferred among his works that are described in this study.

Mathnavi (Couplet) has been used constantly by poets to express detailed subjects including narratives and stories whereas Ghazal (Ode) has been used to express general and internal emotions briefly. But many poets has used Ghazal (Ode) and qasideh for telling tales and narratives at the beginning of Persian literature formation. Attar Neishaboori is the first poet that has used Ghazal (Ode) for telling tales effectively. These tales are actually the reflection of his mental states and his spiritual observations. Attar is Roomi’s predecessor in storytelling.

Phenomenology movement, which is a methodological idealism is in quest of exploring an abstract category called transcendental consciousness. This movement has not taken any position as regards the wise from the beginning and goes beyond the level of the sensory experience. In phenomenological critique which has a considerable potential for contemplating the literary works, the context is reduced to an embodiment of pure consciousness of the reader and with its all stylistic and semantic aspects becomes a unit organism in which the mind of the writer functions as its unifying essence.