ARTAUD AND ORIENTAL THEATRE

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TABATABAEI SARA

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Journal Paper

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Journal: PLUME Year:2010 | Volume:5 | Issue:11 Page(s): 129-147

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Information Journal Paper

Title

ARTAUD AND ORIENTAL THEATRE

Author(s)

TABATABAEI SARA | Issue Writer Certificate

Keywords

ARTAUDQ3

THEATREQ2

ORIENTQ3

OCCIDENTQ3

THEORYQ3

Abstract

Antonin ARTAUD was a revolting artist who criticized strongly his contemporary society. He tried to uproot the thought systems of the old European and French culture. In the introduction of Theâtre et son double he represents to us his age as the age of "confusion" who sees this issue as a fundamental gap between the things, sayings, ideas and signs that represent them. Throughout this work he shows his deep disbelief in Latin and Western culture which was built in utter need in using words for obvious and clear expression of ideas, because in his view, determined ideas through words are useless and idle which spontaneously disrupts and ruins the thought. In preference to Western culture by words Antonin ARTAUD is inclined to Eastern culture by signs and gestures which translates ideas ambiguously.This article intends to take into consideration the strong points of ritual and magical Eastern THEATRE which have inspired this greatest modern THEATRE theorist. Meanwhile the article tries to illuminate our understanding of complex and abstract notions of Antonin ARTAUD doctrine through simple and palpable examples.

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APA: Copy

TABATABAEI, SARA. (2010). ARTAUD AND ORIENTAL THEATRE. PLUME, 5(11), 129-147. SID. https://sid.ir/paper/119930/en

Vancouver: Copy

TABATABAEI SARA. ARTAUD AND ORIENTAL THEATRE. PLUME[Internet]. 2010;5(11):129-147. Available from: https://sid.ir/paper/119930/en

IEEE: Copy

SARA TABATABAEI, “ARTAUD AND ORIENTAL THEATRE,” PLUME, vol. 5, no. 11, pp. 129–147, 2010, [Online]. Available: https://sid.ir/paper/119930/en

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