THREE VOICES, THREE COLORS AND THREE STYLES IN QEYSAR AMINPOUR POETRY

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FOTOUHI MAHMOUD

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Journal Paper

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Journal: ADAB PAZHUHI Year:2008 | Volume:1 | Issue:5 Page(s): 9-30

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Information Journal Paper

Title

THREE VOICES, THREE COLORS AND THREE STYLES IN QEYSAR AMINPOUR POETRY

Author(s)

FOTOUHI MAHMOUD | Issue Writer Certificate

Keywords

QESAR AMINPOURQ2

STYLISTICSQ2

COLORQ2

RHETORICSQ2

THOUGHTQ2

Abstract

This Article recognizes tree voices and styles in the works of contemporary Persian poet, Qeysar Aminpour's (d. 2007). His tree voices are active, passive and reflexive. This classification has based on language (lexical and syntax), imagination (images and figures) and idea. Tree different periods of the poet's life have been presented in tree COLORs. Red is dominant COLOR in his epic period (active); gray in his sadly romanticism (pasive) and finally the style of his fatalism (reflexive) period is COLORless. The article concludes that Aminpour is a true poet because he represents his real feelings of the world and social, and his poems show obviously the sprite of time and His true relations with the ideological changes in Iran.

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APA: Copy

FOTOUHI, MAHMOUD. (2008). THREE VOICES, THREE COLORS AND THREE STYLES IN QEYSAR AMINPOUR POETRY. ADAB PAZHUHI, 1(5), 9-30. SID. https://sid.ir/paper/137674/en

Vancouver: Copy

FOTOUHI MAHMOUD. THREE VOICES, THREE COLORS AND THREE STYLES IN QEYSAR AMINPOUR POETRY. ADAB PAZHUHI[Internet]. 2008;1(5):9-30. Available from: https://sid.ir/paper/137674/en

IEEE: Copy

MAHMOUD FOTOUHI, “THREE VOICES, THREE COLORS AND THREE STYLES IN QEYSAR AMINPOUR POETRY,” ADAB PAZHUHI, vol. 1, no. 5, pp. 9–30, 2008, [Online]. Available: https://sid.ir/paper/137674/en

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