ANALYZING OF COMPOSITION IN FIGURATIVE PAINTING OF REZA ABBASI AND TWO QAJAR DYNASTY PAINTERS, MEHR ALI AND MIRZA BABA

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TEHRANI REZA

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Journal: NEGAREH Year:2009 | Volume:4 | Issue:10 Page(s): 52-63

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Title

ANALYZING OF COMPOSITION IN FIGURATIVE PAINTING OF REZA ABBASI AND TWO QAJAR DYNASTY PAINTERS, MEHR ALI AND MIRZA BABA

Author(s)

TEHRANI REZA | Issue Writer Certificate

Keywords

ANGELQ2

CHILDREN ILLUSTRATIONQ2

PAINTING IMAGEQ1

FANTASTICQ2

Abstract

Composition is an indispensable part of each picture or visual art & it is crucially salient that the quality & features in Iranian painting basically depends upon a variety of other elements such as the artists view, taste of the art fan, influence of different art schools, previous arts as well as non Iranian elements. Figurative compositions in (Reza Abbasi) arts benefits from making use of lion in a smooth and parallel way, in addition he employed traditional visual methods which brings about a rich set of paintings including Iranian rich paintings. But of at the end of Safavid era and due to a great deal of changes in structure of economy, society, noticeable series of changes were imposed on this art. One of the upheavals was tending to have a materialistic thought, focusing on realistic & avoiding mystic atmospheres. Other changes can be named as possessive & artificial composition technical principle an aesthetic view. Late in Safavid dynasty by (Reza Abbasi) students such arts started to Burgeon & in Qajar they reached the peak and glorified in the best way. Such an art was greatly supported y Qajar officials which was an aid to establishing the art at the time & helping that to enter a new phase. In this article an attempt is made to have a contrastive & analytic view of (Reza Abbasi) as Isfahan school representative & works of two Qajar painters, (Mirza baba) & (Mehr ali). In the end this conclusion can be drawn that Iranian art in this field in the passage of tradition to modernity & by assimilating some European elements & change of fans taste had gone through dramatic changes & use a result the figurative composition of artists were in flounced. Gifted artists of Iran managed to blend previous traditional & new elements to creative a new style for art which was its own of great value.

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APA: Copy

TEHRANI, REZA. (2009). ANALYZING OF COMPOSITION IN FIGURATIVE PAINTING OF REZA ABBASI AND TWO QAJAR DYNASTY PAINTERS, MEHR ALI AND MIRZA BABA. NEGAREH, 4(10), 52-63. SID. https://sid.ir/paper/143067/en

Vancouver: Copy

TEHRANI REZA. ANALYZING OF COMPOSITION IN FIGURATIVE PAINTING OF REZA ABBASI AND TWO QAJAR DYNASTY PAINTERS, MEHR ALI AND MIRZA BABA. NEGAREH[Internet]. 2009;4(10):52-63. Available from: https://sid.ir/paper/143067/en

IEEE: Copy

REZA TEHRANI, “ANALYZING OF COMPOSITION IN FIGURATIVE PAINTING OF REZA ABBASI AND TWO QAJAR DYNASTY PAINTERS, MEHR ALI AND MIRZA BABA,” NEGAREH, vol. 4, no. 10, pp. 52–63, 2009, [Online]. Available: https://sid.ir/paper/143067/en

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