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Information Journal Paper

Title

MARTYR TO MYTH FROM SIGN-SEMANTICS PERSPECTIVE

Pages

  45-55

Abstract

 From sign-semantics point of view, the present essay tries to put forth an analysis of visual signs related to martyrs pictures. The objective is to study sign-semantically the meaning. Sign-semantics means "appearing and making appear the meaning" which is grasped from linguistic data; in other, more objective word, it relates to how "the meaning appear" in the surface of an utterance. In the pictures being studied, one can easily pursuit "the process of meaning creation" from the innermost layer, where the fundamental categories of SEMANTICS are constructed in a square-form structure called the square of SEMANTICS, through the middle layer, where the narrative structures are established, to the surface layer of discourse where the mentioned fundamental categories are expressed. The main questions discussed here are: is it possible to regard the different texts produced on the common, cultural basis as a single text of narration? In order to find appropriate answer to such questions, the essay introduces, at first, the narrative and discursive theories from SEMANTICS perspective and, thereafter, tries to analyze the pictures according to those theories. The paper, finally, came to the conclusion that some of the pictures studied are originating from the cultural which can have a mythical dimension too.

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  • Cite

    APA: Copy

    ABBASI, ALI, & MOEIN, B.. (2009). MARTYR TO MYTH FROM SIGN-SEMANTICS PERSPECTIVE. RESEARCH ON CULTURE AND ART, 1(1), 45-55. SID. https://sid.ir/paper/146563/en

    Vancouver: Copy

    ABBASI ALI, MOEIN B.. MARTYR TO MYTH FROM SIGN-SEMANTICS PERSPECTIVE. RESEARCH ON CULTURE AND ART[Internet]. 2009;1(1):45-55. Available from: https://sid.ir/paper/146563/en

    IEEE: Copy

    ALI ABBASI, and B. MOEIN, “MARTYR TO MYTH FROM SIGN-SEMANTICS PERSPECTIVE,” RESEARCH ON CULTURE AND ART, vol. 1, no. 1, pp. 45–55, 2009, [Online]. Available: https://sid.ir/paper/146563/en

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