THE PATTERNS OF ASCENT AND DESCENT IN ARTISTIC CREATION REFERRING TO THE ISLAMIC ART

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MOHAMMADZADEH MASOUMEH

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Paper Information

Journal: HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ) Year:2009 | Volume:- | Issue:38 Page(s): 45-53

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Title

THE PATTERNS OF ASCENT AND DESCENT IN ARTISTIC CREATION REFERRING TO THE ISLAMIC ART

Author(s)

MOHAMMADZADEH MASOUMEH | Issue Writer Certificate

Keywords

SCENTQ3

DESCENTQ3

PATTERNQ3

DOMEQ3

MYSTERYQ2

ATTENDANCEQ3

Abstract

This article present tries to analyze the symbolism hidden in the origin of creation of art and the generation process of works of art as been represented in the applicable PATTERN of "aSCENT" and "deSCENT", which in itself act as a general theme for the Creation as a whole and humans' gem as an example. Is the shining effect of this PATTERN throughout most of the Islamic art tells of an even more sophisticated meaning and Great concepts and is an indicator of a journey from being the one, to being the many, from solitude to socializing. It also reminds us of the fact that all artistic creations are originally based on sacredness and inspirations coming from the God, His kindness and attention. The true manifestation of art is in the world of meaning and his own presence. The artist makes contact with the world of meaning, using the medium of "Presence", and using their understanding in all of his wishes and teachings attempts to create works which are all presentations of worship and devotion. In this research, we shall try to delve into the depths of spiritually fulfilling concepts such as "arches", "domes", "fountains", and creations of the same league, which captivate the on-lookers and heighten their spirits and witch help it to face with the Higher World. Such a research will show that this aSCENT to higher worlds, and the deSCENT that follows, is a symbolic reference to worshiper's bowing, kneeling and standing before a single being of the higher ups. It maybe said to be artist inspired by the nature and human reason, by creating a work of art, shows aspects of beauty and majesty of God. Because he knows, all things are symbol of God's names. His efforts to pass the multiplicity of unity go toward the God. So the spirit of works of art is going out into objects and then to go to the elevation and soar and then faded grandeur and glory of God and bowed and surrendered to for the God. All the works of art is in their meaning constrains that they are shining, because they will accept of the beyond the word. With this view is that it can be to painted the rise and prostrate with inspiration from nature and claimed that human beings with the revelation that all indicate, and it is efforts to prevent the revolt and slavery expressed against in great God. In Iran, there has been the creation of art in different areas such as the epic poem, architecture, sculpture, calligraphy and etc, the periods of very old. And can be received divine manifestation in the works of art created that such as mirror transparent and clear that taken from the inner nature human's. And go toward worship and praise of God. And kneeling and standing before a single being of the higher ups. And the result it, lead to the prayer and worship for God.

Cites

COMMON INTERACTIONS BETWEEN THE CREATOR AND SPECTATORS OF THE S - ROW PALM

References

هنر مقدس

Cite

APA: Copy

MOHAMMADZADEH, MASOUMEH. (2009). THE PATTERNS OF ASCENT AND DESCENT IN ARTISTIC CREATION REFERRING TO THE ISLAMIC ART. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), -(38), 45-53. SID. https://sid.ir/paper/146793/en

Vancouver: Copy

MOHAMMADZADEH MASOUMEH. THE PATTERNS OF ASCENT AND DESCENT IN ARTISTIC CREATION REFERRING TO THE ISLAMIC ART. HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA )[Internet]. 2009;-(38):45-53. Available from: https://sid.ir/paper/146793/en

IEEE: Copy

MASOUMEH MOHAMMADZADEH, “THE PATTERNS OF ASCENT AND DESCENT IN ARTISTIC CREATION REFERRING TO THE ISLAMIC ART,” HONAR-HA-YE-TAJASSOMI (HONAR-HA-YE-ZIBA ), vol. -, no. 38, pp. 45–53, 2009, [Online]. Available: https://sid.ir/paper/146793/en

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