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Information Journal Paper

Title

REFLECTIONS ON THE ART OF "GROUND-SETTING"

Pages

  27-45

Abstract

 This paper aims to analyse the issue of “ground-setting art” in the context of groundsetting preparations in the messianic Mahdism Doctrine, seeking out the roots and principles of a type of Art that fits well with the religious and Islamic characteristics. Then, in this context, we will be discussing such a concept as the ground setting art with the emphasis on the entities, and then combine the abovementioned entities in the argument.In discussing, we present two ways to look at the field of art in the theoretical arguments. On the one hand, the art and the artist are viewed as functioning on decisions and choiceand on the other hand, art would be based on the artist's intuitions and the subconscious power driving them. After that, we discuss the art of "ground-setting" in the context of both above mentioned methods and argue that one of them is more in line with RELIGIOUS ART and the artistic and religious aspects indicative of Islamic culture and civilization. Based on this, we consider thereligious art of ground-setting more accurately. We think the term “waiting art” conveys a more exact and correct meaning of out intentios that “ground-setting art”. In his article, we make an effort to explain and respond to the challenges that may result from acceptance of this way of looking at things in the face of conventional advertising, or planning and holding conferences (or festivals).

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    APA: Copy

    ARZHMAND, MAHMOUD. (2012). REFLECTIONS ON THE ART OF "GROUND-SETTING". MASHREQ-E MOUOOD, 6(21), 27-45. SID. https://sid.ir/paper/151024/en

    Vancouver: Copy

    ARZHMAND MAHMOUD. REFLECTIONS ON THE ART OF "GROUND-SETTING". MASHREQ-E MOUOOD[Internet]. 2012;6(21):27-45. Available from: https://sid.ir/paper/151024/en

    IEEE: Copy

    MAHMOUD ARZHMAND, “REFLECTIONS ON THE ART OF "GROUND-SETTING",” MASHREQ-E MOUOOD, vol. 6, no. 21, pp. 27–45, 2012, [Online]. Available: https://sid.ir/paper/151024/en

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