AZARBAIJANI STYLE: MAN BETWEEN GOD AND NATURE

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OSKOUEI NARGESS

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Journal: LITERARY CRITICISM Year:2013 | Volume:5 | Issue:20 Page(s): 49-72

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Information Journal Paper

Title

AZARBAIJANI STYLE: MAN BETWEEN GOD AND NATURE

Author(s)

OSKOUEI NARGESS | Issue Writer Certificate

Keywords

STYLISTICSQ2

PERSIAN POETRYQ2

AZARBAIJANI STYLEQ2

MANQ2

POETQ2

Abstract

This article compares the Azarbaijani School of POETRY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> PERSIAN POETRY with the Khorasani and Iraqi Schools known as the first and second periods of POETRY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> PERSIAN POETRY. Thus, I begin by introducing the Azarbaijani School as a transitional period between the former, which is mainly specified by naturalistic views, and the latter, mostly characterized by its mysticism. I believe that in the transitional school MAN performs the role of a bridge between the aforementioned attitudes. This article investigates the position of “man” in the Azarbaijani School and compares the interaction between the "poet" and the "man" in this school with the other schools.

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APA: Copy

OSKOUEI, NARGESS. (2013). AZARBAIJANI STYLE: MAN BETWEEN GOD AND NATURE. LITERARY CRITICISM, 5(20), 49-72. SID. https://sid.ir/paper/158331/en

Vancouver: Copy

OSKOUEI NARGESS. AZARBAIJANI STYLE: MAN BETWEEN GOD AND NATURE. LITERARY CRITICISM[Internet]. 2013;5(20):49-72. Available from: https://sid.ir/paper/158331/en

IEEE: Copy

NARGESS OSKOUEI, “AZARBAIJANI STYLE: MAN BETWEEN GOD AND NATURE,” LITERARY CRITICISM, vol. 5, no. 20, pp. 49–72, 2013, [Online]. Available: https://sid.ir/paper/158331/en

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