PSEUDO-POSTMODERNISM: A CRITIQUE OF METAFICTIONAL TECHNIQUES IN BIVATAN

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GHAFARI SAHAR

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Journal: LITERARY CRITICISM Year:2010 | Volume:3 | Issue:9 Page(s): 73-89

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Information Journal Paper

Title

PSEUDO-POSTMODERNISM: A CRITIQUE OF METAFICTIONAL TECHNIQUES IN BIVATAN

Author(s)

GHAFARI SAHAR | Issue Writer Certificate

Keywords

POSTMODERNISMQ3

METAFICTIONQ2

AMIRKHANIQ1

BIVATANQ2

Abstract

The novelty in typography coupled with narrative techniques has turned BIVATAN (Tehran, 2008) into a quasi-metafiction, i.e. a story which explores the process of its own construction. While in BIVATAN the author is supposedly trying to produce a METAFICTIONal effect, a closer investigation into the novel will prove this claim void. In fact, AMIRKHANI’s novel fails to step into the realm of POSTMODERNISM.

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References

THE RE-BIRTH OF A METAFICTION (A SURVEY OF POSTMODERNISM IN TWO SHORT STORIES BY ABOOTORAB KHOSRAVI)

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APA: Copy

GHAFARI, SAHAR. (2010). PSEUDO-POSTMODERNISM: A CRITIQUE OF METAFICTIONAL TECHNIQUES IN BIVATAN. LITERARY CRITICISM, 3(9), 73-89. SID. https://sid.ir/paper/158362/en

Vancouver: Copy

GHAFARI SAHAR. PSEUDO-POSTMODERNISM: A CRITIQUE OF METAFICTIONAL TECHNIQUES IN BIVATAN. LITERARY CRITICISM[Internet]. 2010;3(9):73-89. Available from: https://sid.ir/paper/158362/en

IEEE: Copy

SAHAR GHAFARI, “PSEUDO-POSTMODERNISM: A CRITIQUE OF METAFICTIONAL TECHNIQUES IN BIVATAN,” LITERARY CRITICISM, vol. 3, no. 9, pp. 73–89, 2010, [Online]. Available: https://sid.ir/paper/158362/en

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