REPRESENTATION OF MALE CAMARADERIE AND FEMALE FRIENDSHIP IN IRANIAN ROMANTIC COMEDY GENRE TEXTUAL ANALYSIS OF 11 IRANIAN ROMANTIC COMEDIES

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

MODAGHEGH HAMID REZA

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH) Year:2013 | Volume:5 | Issue:3 Page(s): 307-326

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

1,059

Download:

Cites:

Information Journal Paper

Title

REPRESENTATION OF MALE CAMARADERIE AND FEMALE FRIENDSHIP IN IRANIAN ROMANTIC COMEDY GENRE TEXTUAL ANALYSIS OF 11 IRANIAN ROMANTIC COMEDIES

Author(s)

MODAGHEGH HAMID REZA | Issue Writer Certificate

Keywords

BINARY OPPOSITIONQ2

IRANIAN CINEMAQ2

PATRIARCHAL IDEOLOGYQ2

ROMANTIC COMEDYQ2

TEXTUAL ANALYSISQ2

Abstract

Most of Iranian comedy films, before and after the revolution, can be categorized as romantic comedies. These films depict romantic relationship between men and women as a funny incident and constitute the Iranian ROMANTIC COMEDY genre. Drawing on genre theory, this paper aims at understanding the relationship between the ROMANTIC COMEDY’s heroes and heroines with their friends, and at finding the real values and beliefs that are reinforced through these interactions. To do so, eleven ROMANTIC COMEDY movies are selected. The moves had been screened on Tehran or other cities’ cinemas for at least a week from 1990 to 2011. A TEXTUAL ANALYSIS was performed on the movies to find BINARY OPPOSITION sets. The analysis reveals that male camaraderie/female friendship serves to show there is no power in sisterhood and supports the social regeneration of patriarchic ideology. The perpetuation of patriarchy demands the dissolution of sisterhood and the ROMANTIC COMEDY genre contributes to that dissolution, suggesting that is impossible for women to ever team up. The Spouse (1994) is the only narrative that does not follow this oppositional pattern. To the contrary, it recognizes and appreciates female friendship.

Cites

No record.

References

No record.

Cite

APA: Copy

MODAGHEGH, HAMID REZA. (2013). REPRESENTATION OF MALE CAMARADERIE AND FEMALE FRIENDSHIP IN IRANIAN ROMANTIC COMEDY GENRE TEXTUAL ANALYSIS OF 11 IRANIAN ROMANTIC COMEDIES. WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH), 5(3), 307-326. SID. https://sid.ir/paper/160486/en

Vancouver: Copy

MODAGHEGH HAMID REZA. REPRESENTATION OF MALE CAMARADERIE AND FEMALE FRIENDSHIP IN IRANIAN ROMANTIC COMEDY GENRE TEXTUAL ANALYSIS OF 11 IRANIAN ROMANTIC COMEDIES. WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH)[Internet]. 2013;5(3):307-326. Available from: https://sid.ir/paper/160486/en

IEEE: Copy

HAMID REZA MODAGHEGH, “REPRESENTATION OF MALE CAMARADERIE AND FEMALE FRIENDSHIP IN IRANIAN ROMANTIC COMEDY GENRE TEXTUAL ANALYSIS OF 11 IRANIAN ROMANTIC COMEDIES,” WOMAN IN CULTURE AND ART (WOMEN'S RESEARCH), vol. 5, no. 3, pp. 307–326, 2013, [Online]. Available: https://sid.ir/paper/160486/en

Related Journal Papers