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Information Journal Paper

Title

ATTAR’S POETIC SELF-GLORIFICATION ON THE APOGEE OF MYSTICAL HUMILITY

Pages

  119-134

Abstract

 The POETs who are mystics and mystical POETs, as it is understood from their remaining works, don’t limit themselves to the constraints of pure POETRY/fa?page=1&sort=1&ftyp=all&fgrp=all&fyrs=all" target="_blank"> POETRY and if they recited a verse or created a rhymed work, it was more about instruction, illumination, and explanation of immaterial problems to the audience.Although ATTAR, in every part of his work, doesn’t consider himself a POET and doesn’t want to be called by this title, on the basis of what he has learned from mysticism, is on the apogee of mystical humility. We have tried, in this essay, to look at his POETic glories as a POET through his verses, and by evaluating it, we want to show that ATTAR, on his apogee of mystical humility, has appeared to be as a unique character in the field of POETic self-glorification.

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  • Cite

    APA: Copy

    MOSHTAGHMEHR, RAHMAN, & HADIPOUR, ASGHAR. (2014). ATTAR’S POETIC SELF-GLORIFICATION ON THE APOGEE OF MYSTICAL HUMILITY. PERSIAN LITERATURE (BAHARESTAN SOKHAN), 9(24), 119-134. SID. https://sid.ir/paper/168445/en

    Vancouver: Copy

    MOSHTAGHMEHR RAHMAN, HADIPOUR ASGHAR. ATTAR’S POETIC SELF-GLORIFICATION ON THE APOGEE OF MYSTICAL HUMILITY. PERSIAN LITERATURE (BAHARESTAN SOKHAN)[Internet]. 2014;9(24):119-134. Available from: https://sid.ir/paper/168445/en

    IEEE: Copy

    RAHMAN MOSHTAGHMEHR, and ASGHAR HADIPOUR, “ATTAR’S POETIC SELF-GLORIFICATION ON THE APOGEE OF MYSTICAL HUMILITY,” PERSIAN LITERATURE (BAHARESTAN SOKHAN), vol. 9, no. 24, pp. 119–134, 2014, [Online]. Available: https://sid.ir/paper/168445/en

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