THE IMPACT OF VAL SAL VA MECHANISM AND ITS IMPACT ON PERFORMER’S SPEECH

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SAFAEI SADEGH

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Journal Paper

Paper Information

Journal: Journal of Fine Arts: Performing Arts and Music Year:2014 | Volume:18 | Issue:2 Page(s): 5-12

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Title

THE IMPACT OF VAL SAL VA MECHANISM AND ITS IMPACT ON PERFORMER’S SPEECH

Author(s)

SAFAEI SADEGH | Issue Writer Certificate

Keywords

VAL SAL VAQ2

SPEECHQ2

EDUCATIONQ3

EMOTIONQ2

FINE ARTSQ2

Abstract

Although the function of neuro-vocal system of the human body was previously suggested in the second half of the 17th century by the Italian surgeon Antonio VAL SAL VA, its use in SPEECH therapy during the past 30 years and its role have not been considered properly for teaching SPEECH method in the schools of dramatic arts. The present study aims to shed some light on the need for paying more attention to this mechanism. This research intends to pave the way for the application of a scientific achievement in teaching artistic tasks. In order to get started in this study, we should take something important into consideration. If we accept this reality that we do not speak merely to project our voices; but we speak to amuse, inform, and also to influence another person’s behavior, we must therefore be aware that each single SPEECH characteristics (including the quality of effectiveness and effectiveness) contain a wide range of components. Consequently these components should be included in our discussions on teaching SPEECH to theatre students. As a matter of fact, VAL SAL VA mechanism is activated by physical activities in the scene as well as the emerging EMOTIONs and passions. After discussing the specific characteristics of the above-mentioned mechanism and its effectiveness on the final dramatic SPEECH, we will be informed that passion is basically the shared component of SPEECH pathology and elocution, which has unfortunately been neglected in SPEECH exercises. The direct impact of this mechanism on SPEECH aesthetics, both in realistic performing methods and its branches (such as naturalism and impressionism), and antirealisitic and abstract forms is considerable. The process at first seems to expected to carry from the rehearsal period to the final performance on stage. However, this does not happen automatically and both the expected range of our voice and the intended level and quality of EMOTIONs and passions would be uncontrollable. Thus, the audience members who are at the end of our communication line would not be able to receive an aesthetically cohesive message. The audience would be able to understand whether VAL SAL VA mechanism is formed or not by the external signals we get from the actors’ actions. When an actor is trying to depict a character and his/her EMOTIONs under the influence VAL SAL VA, the true sense of the characters are not correctly exhibited and thus the portrayals would not believable for the audience members. In order to reach the ultimate goal of presenting a believable performance, an actor must have a defined technique within reach to minimize the drawbacks of VAL SAL VA mechanism and make the dramatic situation plausible for the audiences. In this regard, some specific exercises for controlling the EMOTIONs and sensations are suggested in the present article. They are to make the actors prepare in the rehearsal periods in such a way to duplicate the final stage situation and help the actors in their realistic performances. In other words, the exercises are to be carried out in a virtual reality as much as possible in order minimize the intrusion of the VAL SAL VA mechanism. In addition, the suggested exercises should also be helpful to address SPEECH disorders with mental or physical roots.

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APA: Copy

SAFAEI, SADEGH. (2014). THE IMPACT OF VAL SAL VA MECHANISM AND ITS IMPACT ON PERFORMER’S SPEECH. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), 18(2), 5-12. SID. https://sid.ir/paper/173205/en

Vancouver: Copy

SAFAEI SADEGH. THE IMPACT OF VAL SAL VA MECHANISM AND ITS IMPACT ON PERFORMER’S SPEECH. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA)[Internet]. 2014;18(2):5-12. Available from: https://sid.ir/paper/173205/en

IEEE: Copy

SADEGH SAFAEI, “THE IMPACT OF VAL SAL VA MECHANISM AND ITS IMPACT ON PERFORMER’S SPEECH,” HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), vol. 18, no. 2, pp. 5–12, 2014, [Online]. Available: https://sid.ir/paper/173205/en

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