A STUDY OF PHENOMENON OF ORCHESTRA IN CONTEMPORARY MUSICAL CULTURE OF IRAN, WITH EMPHASIS ON MODELING OF POSSIBILITY OF ITS POTENTIAL FORMS

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

KHAKSAR ALI

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: Journal of Fine Arts: Performing Arts and Music Year:2016 | Volume:20 | Issue:2 Page(s): 35-48

Download Full-Text

Persian Verion

View:

727

Download:

Cites:

Information Journal Paper

Title

A STUDY OF PHENOMENON OF ORCHESTRA IN CONTEMPORARY MUSICAL CULTURE OF IRAN, WITH EMPHASIS ON MODELING OF POSSIBILITY OF ITS POTENTIAL FORMS

Author(s)

KHAKSAR ALI | Issue Writer Certificate

Keywords

MUSICAL ALIENATIONQ2

MUSICAL CULTUREQ2

IRANIAN MUSICQ2

WESTERN ORCHESTRAQ2

Abstract

The Confrontation between Iranian and western MUSICAL CULTUREs, especially taking the idea of WESTERN ORCHESTRA is a topic that had incongruous dimensions in IRANIAN MUSIC. Therefore, this process leads up to some questions such as: what is the relationship between the multiplicity of musical performance and identity of IRANIAN MUSIC? Did such a process in its different dimensions result in alienation in IRANIAN MUSIC? On this basis, the present article tries to make this confrontation clear and through analysis of the material culture of music, musical system and musical products examines the possibility of alienation in orchestra in contemporary IRANIAN MUSIC. This research applies a synthetic approach, through deductive and inductive methods to construct 12 models in terms of confrontational as well as intercultural MUSICAL ALIENATION. Each of these 12 confrontational/ intercultural models expresses a potential form. These forms must be examined in terms of three identity-making components, i.e. the musical material culture, musical system and musical products. The ultimate purpose of this research is to investigate the confrontation between Iranian and western MUSICAL CULTUREs by means of explicating the state of this confrontation with standpoint of taking the idea of WESTERN ORCHESTRA and shaping its different amenabilities in MUSICAL CULTURE of Iran. On this way, with drawing potential models of orchestra in IRANIAN MUSIC and finding some applications for each probability, we first genealogize the history of orchestra in contemporary MUSICAL CULTURE of Iran, and in the second step investigate the possibility of MUSICAL ALIENATION. The result of this research, through a series of models, show that there have been instances of confrontations between MUSICAL CULTURE of Iran and of western in recent decades, that resulted in dipolar process in IRANIAN MUSIC. Some of the confrontations occurred in a number of identity-making components of Iranian MUSICAL CULTURE. In some of the other confrontations, the MUSICAL ALIENATION did not occur in any of the musical material culture, musical system and musical products. On the other hand, the performance of orchestra in IRANIAN MUSIC had an interpretational and conscious type to imitative and conscious adaption of Orchestra. The hypothesis of this research leads up to this thesis that against the approaches of traditionalism in IRANIAN MUSIC that reject all of the confrontations between MUSICAL CULTURE of Iran and of the west, some confrontations with interpretational approach that intermix with adaptable method, not only have not lead up to MUSICAL ALIENATION in IRANIAN MUSIC, but have resulted in evolution and creation of IRANIAN MUSIC. On the other hand, against the occidentalized approaches in IRANIAN MUSIC that insist on taking all of the culture of western music for evolution and creation of IRANIAN MUSIC, this thesis emphasis on the fact that the considerable part of confrontation between MUSICAL CULTURE of Iran and of the west in taking the idea of WESTERN ORCHESTRA not only has not been evolutionary in IRANIAN MUSIC, but has helped to weaken, demote and even delete some fundamental characteristics of IRANIAN MUSIC.

Cites

No record.

References

No record.

Cite

APA: Copy

KHAKSAR, ALI. (2016). A STUDY OF PHENOMENON OF ORCHESTRA IN CONTEMPORARY MUSICAL CULTURE OF IRAN, WITH EMPHASIS ON MODELING OF POSSIBILITY OF ITS POTENTIAL FORMS. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), 20(2), 35-48. SID. https://sid.ir/paper/173223/en

Vancouver: Copy

KHAKSAR ALI. A STUDY OF PHENOMENON OF ORCHESTRA IN CONTEMPORARY MUSICAL CULTURE OF IRAN, WITH EMPHASIS ON MODELING OF POSSIBILITY OF ITS POTENTIAL FORMS. HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA)[Internet]. 2016;20(2):35-48. Available from: https://sid.ir/paper/173223/en

IEEE: Copy

ALI KHAKSAR, “A STUDY OF PHENOMENON OF ORCHESTRA IN CONTEMPORARY MUSICAL CULTURE OF IRAN, WITH EMPHASIS ON MODELING OF POSSIBILITY OF ITS POTENTIAL FORMS,” HONAR-HA-YE-NAMAYESHI-VA-MOOSIGHI (HONAR-HA-YE-ZIBA), vol. 20, no. 2, pp. 35–48, 2016, [Online]. Available: https://sid.ir/paper/173223/en

Related Journal Papers