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Title

THE GLAZED BRICKS FROM THE VISUAL ARTS PERSPECTIVE

Pages

  71-80

Abstract

 The essay is a study on Galachi's glazed bricks (as a part of painting documents referring to 900-500 B.C.) from the visual arts perspective. Introducing THE MANNAs and the artistic style belonging to that era, the author tries to discover the line, color, form and structure of these bricks. Although the thesis has an astute approach to the temple relevant decorations including different types of glazed bricks, it analytically consider the style, techniques, forms and the color variation in order to investigate THE MANNAen artistic as well as scientific aspects and the methods of form beside space formation. It is worth mentioning that the painting on Galaychis glazed bricks are fully embedded with the power of innovation scarcely witnessed in the works of that era. As a result, those paintings have changed to the artistic works with more natural style and freedom of action and have brought about new outstanding words to humanity. they have also influenced their afterward artistic works in a very considerable manner. The motifs and findings, buried under the temple in Galaychis palace in the ancient city of Izirtu, are the most important documents and characteristics of national, social, architectural and artistic identity of the Mannean civilization.

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    APA: Copy

    HASANZADEH, SAEED. (2011). THE GLAZED BRICKS FROM THE VISUAL ARTS PERSPECTIVE. NAGHSH MAYEH, 4(7), 71-80. SID. https://sid.ir/paper/184002/en

    Vancouver: Copy

    HASANZADEH SAEED. THE GLAZED BRICKS FROM THE VISUAL ARTS PERSPECTIVE. NAGHSH MAYEH[Internet]. 2011;4(7):71-80. Available from: https://sid.ir/paper/184002/en

    IEEE: Copy

    SAEED HASANZADEH, “THE GLAZED BRICKS FROM THE VISUAL ARTS PERSPECTIVE,” NAGHSH MAYEH, vol. 4, no. 7, pp. 71–80, 2011, [Online]. Available: https://sid.ir/paper/184002/en

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