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Title

THE SURVEY ON THE CARPET DESIGNS ESSENCE IN WESTERN ART AFTER THE RENAISSANCE

Pages

  19-30

Abstract

 During the different periods of the Western art, artist have applied the carpet pattern with a variety of aims and attitudes. The article tends to analyze the works by some renouned European artists (from the 16th to 20th century) in order to assess the trend of how the CARPET PATTERNS (Iranian ones in particular) have influences the periods of the Western art. It also takes the impact such patterns could have had on the history of the Western illustration. The article concentrates on the painting as the representative of the Western art and then raise its research question on how the Western artists changed their attitudes towards the carpet, during the centuries after Renaissance.The results show the artists’ point of view in using CARPET PATTERNS before 19th century, were a decorative usage. After this century, along with other fundamental developments in art, the western look at carpet motifs started to change and pass from a simple blending agent in decorative painting to the expressive element of the whole painting. Therefore, it would be possible to develop the eastern motifs into different pictorical forms belonging to the contemporary art.

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    Cite

    APA: Copy

    NEDAI, AMIR HOSSEIN, & TAKHTI, MAHLA. (2011). THE SURVEY ON THE CARPET DESIGNS ESSENCE IN WESTERN ART AFTER THE RENAISSANCE. NAGHSH MAYEH, 4(8), 19-30. SID. https://sid.ir/paper/184164/en

    Vancouver: Copy

    NEDAI AMIR HOSSEIN, TAKHTI MAHLA. THE SURVEY ON THE CARPET DESIGNS ESSENCE IN WESTERN ART AFTER THE RENAISSANCE. NAGHSH MAYEH[Internet]. 2011;4(8):19-30. Available from: https://sid.ir/paper/184164/en

    IEEE: Copy

    AMIR HOSSEIN NEDAI, and MAHLA TAKHTI, “THE SURVEY ON THE CARPET DESIGNS ESSENCE IN WESTERN ART AFTER THE RENAISSANCE,” NAGHSH MAYEH, vol. 4, no. 8, pp. 19–30, 2011, [Online]. Available: https://sid.ir/paper/184164/en

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