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Information Journal Paper

Title

MANIFESTATION OF HAFIZS REND IN GIDES WORKS

Pages

  37-58

Keywords

Abstract

 Rend is, according to HAFIZ, a superior or perfect man. In his Divan (collection of poems), REND is defined as a person who has a paradoxical character in his manifestation and a moderate one inwardly. REND is neither exorbitant nor negligent. In view of Andre GIDE, HAFIZ was a perfect artist worthy to be followed. GIDE, like HAFIZ, was in search of high honor. He wished the Fruits of Earth to be considered like HAFIZ’s Divan as an epistle of honor. GIDE being in harmony with HAFIZ, imagined his REND in the body of MENALC. The common features between REND and MENALC were investigated in HAFIZ’s ghazals and GIDE’s works. To aim this, first, using an analytical approach based on comparative literature, a definition and a brief analysis of REND and its features have been studied to compare HAFIZ’s REND and GIDE’s MENALC. Giving examples of these two and finding their common thoughts, the effect of HAFIZ on GIDE has been shown.

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  • Cite

    APA: Copy

    FARSIAN, MOHAMMAD REZA, VALIAN, FAHIMEH, & KAZEMI, GHOLAM REZA. (2014). MANIFESTATION OF HAFIZS REND IN GIDES WORKS. JOURNAL OF LANGUAGE AND TRANSLATION STUDIES, 47(1), 37-58. SID. https://sid.ir/paper/187534/en

    Vancouver: Copy

    FARSIAN MOHAMMAD REZA, VALIAN FAHIMEH, KAZEMI GHOLAM REZA. MANIFESTATION OF HAFIZS REND IN GIDES WORKS. JOURNAL OF LANGUAGE AND TRANSLATION STUDIES[Internet]. 2014;47(1):37-58. Available from: https://sid.ir/paper/187534/en

    IEEE: Copy

    MOHAMMAD REZA FARSIAN, FAHIMEH VALIAN, and GHOLAM REZA KAZEMI, “MANIFESTATION OF HAFIZS REND IN GIDES WORKS,” JOURNAL OF LANGUAGE AND TRANSLATION STUDIES, vol. 47, no. 1, pp. 37–58, 2014, [Online]. Available: https://sid.ir/paper/187534/en

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