CONTENT CLASSIFICATION OF NASTALIQ INSCRIPTIONS IN THE WOODEN ARRAYS OF ARCHITECTURAL SAFAVID IRAN

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SALEHI KAKHKI AHMAD; KIANMEHR GHOBAD; GHELICH KHANI HAMIDREZA; KHOSRAVI BIZHAEM FARHAD

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Journal: Maremat & memari-e Iran Year:2017 | Volume:7 | Issue:13 Page(s): 123-133

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Title

CONTENT CLASSIFICATION OF NASTALIQ INSCRIPTIONS IN THE WOODEN ARRAYS OF ARCHITECTURAL SAFAVID IRAN

Author(s)

SALEHI KAKHKI AHMAD | KIANMEHR GHOBAD | GHELICH KHANI HAMIDREZA | KHOSRAVI BIZHAEM FARHAD | Issue Writer Certificate

Keywords

NASTALIQQ1

CONTENT OF WOODEN INSCRIPTIONQ1

SAFAVID ARCHITECTURAL DECORATIONQ1

Abstract

Calligraphy is the outstanding art of the Islamic world. Hence, one can easily see theinfluence of the art of calligraphy in the Islamic art branches, including architecturaldecorations. The main purpose of this fundamental research, assess and compare thecontent of wooden NASTALIQ inscriptions that have been used in architectural decorationin Safavid dynasty in Iran .The case studies are chosen among of those samples thatcontain NASTALIQ inscription which made of wood. The time limitation of this study is theSafavid era (9061135- AH). In this paper, after preliminary library studies, due to limitedstatistical samples (because of separation of NASTALIQ of the other calligraphic styles)census is taken.The two main questions of this study are: When NASTALIQ inscriptions usedin the wooden architectural decorations for the first time? And what are the main contentsinscribed on wooden decoration by NASTALIQ in Safavid period? The results indicate thatthe 17 inscriptions have been studied, in most of the buildings are located on the entrancedoors. In the case of chronology, NASTALIQ was used in middle 10th century A.H for thefirst time in the wooden inscriptions. General concepts used, including valuable historicalinformation that can be invoked as evidence first-hand. Also, the results show that Contentposted in this group of inscriptions are not the Koranic verses and Islamic phrases. Often,themes of the inscriptions are lyrics fit with the date, description of the building or workand mentioning the names of various people (King, Bonnie, Calligrapher, Poet andManufacturer) and panegyric writing.

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APA: Copy

SALEHI KAKHKI, AHMAD, KIANMEHR, GHOBAD, GHELICH KHANI, HAMIDREZA, & KHOSRAVI BIZHAEM, FARHAD. (2017). CONTENT CLASSIFICATION OF NASTALIQ INSCRIPTIONS IN THE WOODEN ARRAYS OF ARCHITECTURAL SAFAVID IRAN. MAREMAT-E ASAR & BAFT-HAYE TARIKHI-FARHANGI, 7(13 ), 123-133. SID. https://sid.ir/paper/205121/en

Vancouver: Copy

SALEHI KAKHKI AHMAD, KIANMEHR GHOBAD, GHELICH KHANI HAMIDREZA, KHOSRAVI BIZHAEM FARHAD. CONTENT CLASSIFICATION OF NASTALIQ INSCRIPTIONS IN THE WOODEN ARRAYS OF ARCHITECTURAL SAFAVID IRAN. MAREMAT-E ASAR & BAFT-HAYE TARIKHI-FARHANGI[Internet]. 2017;7(13 ):123-133. Available from: https://sid.ir/paper/205121/en

IEEE: Copy

AHMAD SALEHI KAKHKI, GHOBAD KIANMEHR, HAMIDREZA GHELICH KHANI, and FARHAD KHOSRAVI BIZHAEM, “CONTENT CLASSIFICATION OF NASTALIQ INSCRIPTIONS IN THE WOODEN ARRAYS OF ARCHITECTURAL SAFAVID IRAN,” MAREMAT-E ASAR & BAFT-HAYE TARIKHI-FARHANGI, vol. 7, no. 13 , pp. 123–133, 2017, [Online]. Available: https://sid.ir/paper/205121/en

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