THE COMPARATIVE STUDY OF DESIGNS OF KALPOREGAN POTTERIES AND BALOCH NEEDLEWORK

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NAZARI AMIR; ZAKARYAEE KERMANI IMAN; SHAFIEE SARAROUDI MEHRNOUSH

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Journal: Motaleate-e Tatbiqi-e Honar Year:2015 | Volume:4 | Issue:8 Page(s): 31-47

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Title

THE COMPARATIVE STUDY OF DESIGNS OF KALPOREGAN POTTERIES AND BALOCH NEEDLEWORK

Author(s)

NAZARI AMIR | ZAKARYAEE KERMANI IMAN | SHAFIEE SARAROUDI MEHRNOUSH | Issue Writer Certificate

Keywords

DESIGNSQ2

POTTERYQ2

KALPOREGANQ1

SARAVANQ2

NEEDLEWORKQ2

BALOCHQ2

Abstract

The relationship between various arts of a country and their influence on each other can be a valuable subject for researchers’ investigations. Produced potteries in the KALPOREGAN village, located at the SARAVAN city, and NEEDLEWORKs of different regions of Sistan and BALOCHestan are decorated today with DESIGNS which enjoy a geometric and unique structure by emphasizing the past originality of the art of this land. These DESIGNS which are drawn by women in the two mentioned arts are an inseparable part of BALOCH art. Accordingly, aiming to study the relationship between POTTERY DESIGNS of KALPOREGAN and BALOCH NEEDLEWORK which enjoy a common cultural context, this article considers the probable points of similarity and difference between the two arts. How to make connection between the DESIGNS of KALPOREGAN potteries and BALOCH NEEDLEWORK is the major question of this study. What domains are comprised by such relationship? Using historical as well as descriptive-analytic method, this research investigates comparatively the DESIGNS of the two arts of BALOCH people. The information collection was done via library method, field observations and interview with senior artists.The results of this investigation show that common aspects between the DESIGNS of these arts is due to both arts’ taking inspiration from nature as well as BALOCH people’s beliefs and culture. Amongst the point of similarity between the two arts are geometric DESIGNS with symbolic and abstract expression derived from nature and BALOCH beliefs, simple and combined DESIGNS, similar structure in nomenclature and DESIGNS’ selection based on BALOCHestan natural phenomena. Also, the study of KALPOREGAN POTTERY DESIGNS and BALOCH NEEDLEWORK specifies presence of common visual elements such as repetition, rhythm, motion, order and symmetrical combinations that will foreground the relationship between the DESIGNS of these two arts in the form of geometric figures and similar structures. Due to diversity and variety of NEEDLEWORK DESIGNS, through grouping the DESIGNS into simple and combined, the researchers selected the more used DESIGNS of NEEDLEWORK at different areas of Sistan and BALOCHestan and refrained from investigating similar DESIGNS.

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APA: Copy

NAZARI, AMIR, ZAKARYAEE KERMANI, IMAN, & SHAFIEE SARAROUDI, MEHRNOUSH. (2015). THE COMPARATIVE STUDY OF DESIGNS OF KALPOREGAN POTTERIES AND BALOCH NEEDLEWORK. MOTALEATE TATBIGHI HONAR, 4(8), 31-47. SID. https://sid.ir/paper/205330/en

Vancouver: Copy

NAZARI AMIR, ZAKARYAEE KERMANI IMAN, SHAFIEE SARAROUDI MEHRNOUSH. THE COMPARATIVE STUDY OF DESIGNS OF KALPOREGAN POTTERIES AND BALOCH NEEDLEWORK. MOTALEATE TATBIGHI HONAR[Internet]. 2015;4(8):31-47. Available from: https://sid.ir/paper/205330/en

IEEE: Copy

AMIR NAZARI, IMAN ZAKARYAEE KERMANI, and MEHRNOUSH SHAFIEE SARAROUDI, “THE COMPARATIVE STUDY OF DESIGNS OF KALPOREGAN POTTERIES AND BALOCH NEEDLEWORK,” MOTALEATE TATBIGHI HONAR, vol. 4, no. 8, pp. 31–47, 2015, [Online]. Available: https://sid.ir/paper/205330/en

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