Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’ s Bodies in Qajar Semiosphere

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Eftekhari Yekta Sharareh; MOHAMMADZADEH MEHDI; NASRI AMIR

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Journal: Motaleate-e Tatbiqi-e Honar Year:2020 | Volume:9 | Issue:18 Page(s): 121-135

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Title

Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’ s Bodies in Qajar Semiosphere

Author(s)

Eftekhari Yekta Sharareh | MOHAMMADZADEH MEHDI | NASRI AMIR | Issue Writer Certificate

Keywords

Qajar ArtQ1

Fath-Ali Shah QajarQ1

Nasir-al-Din Shah QajarQ2

BodyQ1

Cultural SemioticsQ1

Abstract

During the turbulent period of forming political, social, and historical revolutions in the face of western art and culture, Qajar painting goes through old and new elements, and settles in a wide range of challenging and new concepts. One of these concepts is the functioning of the Body which acts as a powerful semiotic sys tem in Qajar painting and in the direction of producing meaning, in dealing with “ non-culture” . Non-culture is one of the basic and practical terms in Yuri Lutman’ s cultural semiotic approach, which is opposed to culture. For Lutman, the most central concept is the semiosphere with the dual space: in such a way that the meaning is produced from the opposition of the dual concepts in this space. Therefore, this research aims to examine and compare the type of function and position of Fath-Ali Shah and Naser al-Din Shah’ s bodies in opposition to “ Non-culture” , with the purpose of using “ Body-signs” in Lutman’ s Cultural Semiotics approach. The purpose of this study is explaining how both kings’ bodies are portrayed as their own bodies in the culture, in the face of another Body within the “ non-culture” . This study is carried out through comparative-analytical method. The result of the analysis indicates that the cultural bodies of both kings in the discourse system of semiospheres in the face of “ non-culture” have unequal status towards each other. The image of Naser alDin Shah is constantly appearing towards another Body within “ non-culture ” , and in the dialectic of his own Body/ another Body, is considered as “ close-Body” , despite Fath-Ali Shah who avoids it. As a result, with the influence of “ non-culture” , the image of Naser al-Din Shah is more exposed to change and transformation than Fath-Ali Shah, and the cultural Body of king gradually fades.

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APA: Copy

Eftekhari Yekta, Sharareh, MOHAMMADZADEH, MEHDI, & NASRI, AMIR. (2020). Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’ s Bodies in Qajar Semiosphere. MOTALEATE TATBIGHI HONAR, 9(18 ), 121-135. SID. https://sid.ir/paper/205445/en

Vancouver: Copy

Eftekhari Yekta Sharareh, MOHAMMADZADEH MEHDI, NASRI AMIR. Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’ s Bodies in Qajar Semiosphere. MOTALEATE TATBIGHI HONAR[Internet]. 2020;9(18 ):121-135. Available from: https://sid.ir/paper/205445/en

IEEE: Copy

Sharareh Eftekhari Yekta, MEHDI MOHAMMADZADEH, and AMIR NASRI, “Discourse Analysis of the Position of Fath-Ali Shah and Naser al-Din Shah’ s Bodies in Qajar Semiosphere,” MOTALEATE TATBIGHI HONAR, vol. 9, no. 18 , pp. 121–135, 2020, [Online]. Available: https://sid.ir/paper/205445/en

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