FUNCTION OF LINES IN FARSI AND LATIN TYPOGRAPHICAL STRUCTURES FROM THE VIEWPOINT OF PLASTIC ARTS

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DANESHGAR FAHIMEH; TAHERI FAEZE

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Journal: Motaleate-e Tatbiqi-e Honar Year:2013 | Volume:2 | Issue:4 Page(s): 121-129

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Information Journal Paper

Title

FUNCTION OF LINES IN FARSI AND LATIN TYPOGRAPHICAL STRUCTURES FROM THE VIEWPOINT OF PLASTIC ARTS

Author(s)

DANESHGAR FAHIMEH | TAHERI FAEZE | Issue Writer Certificate

Keywords

LINE STRUCTUREQ2

ENGLISH TYPOGRAPHYQ2

VISUAL LINEQ2

DIRECTIONQ2

VISUAL BALANCEQ2

BASIC DESIGNQ2

Abstract

Typographical and pictorial representations are the two main components of a graphic work of art. Generally, attention is primarily paid to the plastic art aspect of pictorial representation. However, the visual aspect of typography invariably imposes a visual design common between the written form and the pictorial representation. Since Farsi writing is founded upon the bases of plastic arts, any alteration of the structure of writing will damage the plastic art dimensions. Therefore, recognizing various LINE STRUCTUREs and their DIRECTIONalities are important requirements for understanding the plastic art aspect of writing, especially in written Farsi. Proper knowledge of these rules plays an important role in discovering and shaping standards for the graphics of Farsi fonts and prevents a potential disparity between the written and its graphic form.This essay examines the singular (disjoint) characters in written Farsi and the Roman characters, and explores the differences in the appearance of Farsi characters between their joint and disjoint forms. The study of appearance and LINE STRUCTUREs of Farsi Words leads to the conclusion that knowledge of the LINE STRUCTUREs in characters and their general shapes play a fundamental role in establishing the visual impact of the written Farsi. In this study, the meaning conveyed through LINE STRUCTUREs in printed Farsi characters are considered from two perspectives: Variety of line types in structures of characters-for instance the dominant LINE STRUCTURE in letter “ع" is the curved line.Variety of LINE STRUCTUREs in the formation of fonts-for instance in KOUDAK font, the dominant movements are with curved lines.Through an examination of various writing styles, their application in Farsi font settings, and their strong visual impact, it is concluded that these elements have a distinct impact on the communication of meaning and feeling to the viewer.

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APA: Copy

DANESHGAR, FAHIMEH, & TAHERI, FAEZE. (2013). FUNCTION OF LINES IN FARSI AND LATIN TYPOGRAPHICAL STRUCTURES FROM THE VIEWPOINT OF PLASTIC ARTS. MOTALEATE TATBIGHI HONAR, 2(4), 121-129. SID. https://sid.ir/paper/205455/en

Vancouver: Copy

DANESHGAR FAHIMEH, TAHERI FAEZE. FUNCTION OF LINES IN FARSI AND LATIN TYPOGRAPHICAL STRUCTURES FROM THE VIEWPOINT OF PLASTIC ARTS. MOTALEATE TATBIGHI HONAR[Internet]. 2013;2(4):121-129. Available from: https://sid.ir/paper/205455/en

IEEE: Copy

FAHIMEH DANESHGAR, and FAEZE TAHERI, “FUNCTION OF LINES IN FARSI AND LATIN TYPOGRAPHICAL STRUCTURES FROM THE VIEWPOINT OF PLASTIC ARTS,” MOTALEATE TATBIGHI HONAR, vol. 2, no. 4, pp. 121–129, 2013, [Online]. Available: https://sid.ir/paper/205455/en

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