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Information Journal Paper

Title

SYNESTHESIA: THE STUDY OF POEMS OF SIMIN BEHBAHANI AND FOROUQ FAROKHZAD

Pages

  111-140

Abstract

SYNESTHESIA is one of the fictional figures which has had more frequency in creation of contemporary poems compared to the past. For this, the author tries to analyze and reveal how this figure has been used in poems of two prominent female poets "Forough" and "Simin" and uses samples analysis and descriptive method through diagram and figures to evaluate this rhetorical element in their poems. It is concluded that using this artistic form for the two poets is significant in similarity in integrating SENSES and also SENSES frequency. FOROUGH FAROKHZAD has taken more advantage of SYNESTHESIA in contrast to Simin. SYNESTHESIA was more frequent in the poetry of both poets based on the type (abstract to Sensory) compared to (Sensory to Sensory) one. Both poets have taken advantage of auditory and visual SENSES in way of integration of the SENSES.

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  • Cite

    APA: Copy

    SAADZADEH, MARYAM, & OJAGH ALIZADEH, SHAHIN. (2016). SYNESTHESIA: THE STUDY OF POEMS OF SIMIN BEHBAHANI AND FOROUQ FAROKHZAD. RAYS OF CRITICISM IN ARABIC AND PERSIAN, 6(23), 111-140. SID. https://sid.ir/paper/212580/en

    Vancouver: Copy

    SAADZADEH MARYAM, OJAGH ALIZADEH SHAHIN. SYNESTHESIA: THE STUDY OF POEMS OF SIMIN BEHBAHANI AND FOROUQ FAROKHZAD. RAYS OF CRITICISM IN ARABIC AND PERSIAN[Internet]. 2016;6(23):111-140. Available from: https://sid.ir/paper/212580/en

    IEEE: Copy

    MARYAM SAADZADEH, and SHAHIN OJAGH ALIZADEH, “SYNESTHESIA: THE STUDY OF POEMS OF SIMIN BEHBAHANI AND FOROUQ FAROKHZAD,” RAYS OF CRITICISM IN ARABIC AND PERSIAN, vol. 6, no. 23, pp. 111–140, 2016, [Online]. Available: https://sid.ir/paper/212580/en

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