PASSAGE DE MILANET TRADITION REALISTE

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NAZRI DUST MASOUD; SHAHTALEBI HOSSEIN ABADI VIDA

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Paper Information

Journal: REVUE DES ETUDES DE LA LANGUE FRANCAISE Year:2010 | Volume:1 | Issue:1 Page(s): 77-90

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Information Journal Paper

Title

PASSAGE DE MILANET TRADITION REALISTE

Author(s)

NAZRI DUST MASOUD | SHAHTALEBI HOSSEIN ABADI VIDA | Issue Writer Certificate

Keywords

DESCRIPTIONQ2

PERSONNAGEQ2

NOUVEAU ROMANQ3

SYMBOLEQ2

REALITEQ2

Abstract

Passage de Milanest l’oeuvre de Michel Butor, romancier, philosophe et critique du XXe siecle. Une transition entre le style realiste et l’art plus audacieux du NOUVEAU ROMAN, Passage de Milan peut etre lu aisement par un lecteur habitue aux romans realistes. Mais peu a peu, les divergences se devoilent et illustrent bien un NOUVEAU ROMAN avec ses propres caracteristiques, dont la plus importante est la maniere de presenter la REALITE. Le but que nous visons dans cet article est de verifier dans quelle mesure cette oeuvre releve de la tradition realiste et dans quelle mesure elle s’en ecarte. Comme nous le verrons, ce roman, contrairement aux oeuvres realistes, ne designe pas une REALITE digeree et commentee par l’auteur; il est plein de SYMBOLEs et de fragments que le lecteur lui-meme doit relier entre eux, pour decouvrir et comprendre la complexite de la REALITE. L’auteur lui propose seulement des gestes, des paroles et des pensees. English: Passage de Milan is a novel written by Michel Butor, a 20th-century novelist, philosopher and critic. Passage de Milan is a transition between realistic style and New Roman, an audacious art which can be read and understood by a reader typically used to realistic novels; however, differences and distinctions gradually reveal themselves and a new novel with its own distinctive characteristics emerges, the most important being the way reality is presented. This article intends to make a comparison and contrast between this novel and traditional realistic novels. In this research, it has been shown that unlike realistic works, this novel does not refer to a reality digested and interpreted by the novelist himself; the novel is also depleted with symbols and fragments. It is the reader who relates these pieces and fragments together so that he can perceive and understand the complexity of the reality. The author just suggests a number of gestures, words and ideas.Keywords: DESCRIPTION, personage, new Novel, symbol, reality

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APA: Copy

NAZRI DUST, MASOUD, & SHAHTALEBI HOSSEIN ABADI, VIDA. (2010). PASSAGE DE MILANET TRADITION REALISTE. REVUE DES ETUDES DE LA LANGUE FRANCAISE, 1(1), 77-90. SID. https://sid.ir/paper/223175/en

Vancouver: Copy

NAZRI DUST MASOUD, SHAHTALEBI HOSSEIN ABADI VIDA. PASSAGE DE MILANET TRADITION REALISTE. REVUE DES ETUDES DE LA LANGUE FRANCAISE[Internet]. 2010;1(1):77-90. Available from: https://sid.ir/paper/223175/en

IEEE: Copy

MASOUD NAZRI DUST, and VIDA SHAHTALEBI HOSSEIN ABADI, “PASSAGE DE MILANET TRADITION REALISTE,” REVUE DES ETUDES DE LA LANGUE FRANCAISE, vol. 1, no. 1, pp. 77–90, 2010, [Online]. Available: https://sid.ir/paper/223175/en

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