AESTHETIC PRINCIPLES OF THE BELOVED'S FACE IN HOMAM TABRIZI'S SOHBATNAMEH

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ABBASZADEH FAZEL; TAJLIL JALIL

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Journal Paper

Paper Information

Journal: PEDAGOGIC AND LYRIC IN PERSIAN LANGUAGE AND LITERATURE STUDIES QUARTERLY Year:2013 | Volume:- | Issue:17 Page(s): 101-116

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Information Journal Paper

Title

AESTHETIC PRINCIPLES OF THE BELOVED'S FACE IN HOMAM TABRIZI'S SOHBATNAMEH

Author(s)

ABBASZADEH FAZEL | TAJLIL JALIL | Issue Writer Certificate

Keywords

HOMAMQ2

SOHBATNAMEHQ2

EXPRESSIVE MEANSQ2

AESTHETICSQ2

THE BELOVED’S FACEQ2

LITERARY LANGUAGEQ3

Abstract

Imagery and image creation is one of the techniques to avoid the cliched and ordinary language and enter the realm of ambiguous LITERARY LANGUAGE. HOMAM as a great Persian poet, utilizing artistic imagination and colorful imagery, has managed to express several referents in a single sign and create a novel poetic sphere. Profound studies of such examples of imagery familiarize us with some artistic values and rhetorical beauties. In this study, using “expressive” means, we have measured the quality and quantity of HOMAM Tabrizi's image creation in Masnavi-e-Sohbatnameh, pictured by THE BELOVED’S FACE, and analyzed his imagery devices.

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APA: Copy

ABBASZADEH, FAZEL, & TAJLIL, JALIL. (2013). AESTHETIC PRINCIPLES OF THE BELOVED'S FACE IN HOMAM TABRIZI'S SOHBATNAMEH. PEDAGOGIC AND LYRIC IN PERSIAN LANGUAGE AND LITERATURE STUDIES QUARTERLY, -(17), 101-116. SID. https://sid.ir/paper/238596/en

Vancouver: Copy

ABBASZADEH FAZEL, TAJLIL JALIL. AESTHETIC PRINCIPLES OF THE BELOVED'S FACE IN HOMAM TABRIZI'S SOHBATNAMEH. PEDAGOGIC AND LYRIC IN PERSIAN LANGUAGE AND LITERATURE STUDIES QUARTERLY[Internet]. 2013;-(17):101-116. Available from: https://sid.ir/paper/238596/en

IEEE: Copy

FAZEL ABBASZADEH, and JALIL TAJLIL, “AESTHETIC PRINCIPLES OF THE BELOVED'S FACE IN HOMAM TABRIZI'S SOHBATNAMEH,” PEDAGOGIC AND LYRIC IN PERSIAN LANGUAGE AND LITERATURE STUDIES QUARTERLY, vol. -, no. 17, pp. 101–116, 2013, [Online]. Available: https://sid.ir/paper/238596/en

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