HEGEL’S REAL GIANTS OR GOMBRICH’S IMAGINARY GIANTS?

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KORD NOQANI MEHDI

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Journal Paper

Paper Information

Journal: Kimiya-ye-Honar Year:2016 | Volume:5 | Issue:19 Page(s): 23-41

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Information Journal Paper

Title

HEGEL’S REAL GIANTS OR GOMBRICH’S IMAGINARY GIANTS?

Author(s)

KORD NOQANI MEHDI | Issue Writer Certificate

Keywords

GOMBRICHQ1

HEGELQ1

ART HISTORYQ1

SPIRITQ1

RELATIVISMQ1

Abstract

GOMBRICH is one the most influential and important figures in ART HISTORY and its theoretical foundations. Although GOMBRICH introduces HEGEL as “the father of ART HISTORY”, he believes that “art history should free itself of HEGEL’s authority.” The first part of this article reviews GOMBRICH’s polemic against HEGEL. In order to elucidate his criticisms of HEGEL, his two main texts, “In Search of Cultural History” and “The Father of ART HISTORY”, are reviewed. In the second part, GOMBRICH’s “misreading” has been evaluated. GOMBRICH’s criticisms of HEGEL’s ART HISTORY and aesthetics can be considered as one of the Western experiences in order to provide theoretical foundations for ART HISTORY.

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APA: Copy

KORD NOQANI, MEHDI. (2016). HEGEL’S REAL GIANTS OR GOMBRICH’S IMAGINARY GIANTS?. KIMIYA YE HONAR, 5(19), 23-41. SID. https://sid.ir/paper/260643/en

Vancouver: Copy

KORD NOQANI MEHDI. HEGEL’S REAL GIANTS OR GOMBRICH’S IMAGINARY GIANTS?. KIMIYA YE HONAR[Internet]. 2016;5(19):23-41. Available from: https://sid.ir/paper/260643/en

IEEE: Copy

MEHDI KORD NOQANI, “HEGEL’S REAL GIANTS OR GOMBRICH’S IMAGINARY GIANTS?,” KIMIYA YE HONAR, vol. 5, no. 19, pp. 23–41, 2016, [Online]. Available: https://sid.ir/paper/260643/en

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