PARODY: ANOTHER REVISION

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SADRIAN M.R.

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Journal Paper

Paper Information

Journal: JOURNAL OF LANGUAGE AND TRANSLATION Year:2010 | Volume:1 | Issue:1 Page(s): 85-90

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Information Journal Paper

Title

PARODY: ANOTHER REVISION

Author(s)

SADRIAN M.R. | Issue Writer Certificate

Keywords

PARODY

DIALOGIC CRITICISM

BAKHTIN

PLAYFULNESS

DELIBERATION

Abstract

The vast diversity of the proposed definitions of PARODY, both before and after the twentieth century, can be an emblem of the lack of a thorough agreement amongst the literary critics about the definition of this literary technique (genre?!). While there is not a comprehensive all-accepted definition of PARODY, modern and postmodern literatures both exhibit a wide application of it. After looking at the definition of PARODY under BAKHTIN's dialogic concepts, Genette's structuralist viewpoints, and Barthes's poststructuralist notions this study endeavours to put forward a more comprehensive and more applicable definition of PARODY mainly based on BAKHTIN's DIALOGIC CRITICISM. PARODY then can be defined as a deliberate imitation or transformation of a socio-cultural product (including literary and non- literary texts, and utterance in its very broad BAKHTINian understanding of it) that recreates its original subject having at least a playful stance towards it.

Cites

PLOT PARODY IN STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD, THE REAL INSPECTOR HOUND, AND DOGG’S HAMLET, CAHOOT’S MACBETH

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APA: Copy

SADRIAN, M.R.. (2010). PARODY: ANOTHER REVISION. JOURNAL OF LANGUAGE AND TRANSLATION, 1(1), 85-90. SID. https://sid.ir/paper/320393/en

Vancouver: Copy

SADRIAN M.R.. PARODY: ANOTHER REVISION. JOURNAL OF LANGUAGE AND TRANSLATION[Internet]. 2010;1(1):85-90. Available from: https://sid.ir/paper/320393/en

IEEE: Copy

M.R. SADRIAN, “PARODY: ANOTHER REVISION,” JOURNAL OF LANGUAGE AND TRANSLATION, vol. 1, no. 1, pp. 85–90, 2010, [Online]. Available: https://sid.ir/paper/320393/en

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