Distancing Effect and Identification of the Audience in the Film Salesman by Asghar Farhadi and Based on the Views of Bertolt Brecht

Q: How can I download an article?

To download an article from SID, first log in to the site, search for the article title, and click on the 'Download Article' option.

Q: How can I download an ISI article?

To download an ISI article on SID, enter the keyword or article title in the search bar, view the relevant results, click on the desired article, and select the 'Download Article' option.

Q: How can I access the SID database?

To access the SID database, visit SID.ir, create an account, and log in to access scientific resources.

Q: Is downloading articles from SID free?

Some articles on SID are available for free, while others require payment. Details are specified on the article's page.

FAHIMIFAR ASGHAR; POURMAND HASSANALI; Drib Muhamad khayer

Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

Journal: The Journal of Research in Humanities Year:2019 | Volume:26 | Issue:2 Page(s): 93-124

Download Full-Text

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Verion

View:

491

Download:

Cites:

Information Journal Paper

Title

Distancing Effect and Identification of the Audience in the Film Salesman by Asghar Farhadi and Based on the Views of Bertolt Brecht

Author(s)

FAHIMIFAR ASGHAR | POURMAND HASSANALI | Drib Muhamad khayer | Issue Writer Certificate

Keywords

Cinema

Audience

Distancing Effect

Identification

Brecht

Farhadi

the sealsman

Abstract

Bertolt Brecht wanted the theater to become a forum for dialogue rather than a platform for delusions, and to develop a new concept of theater creativity known as "Westernization" or "APEC Theater" which aims to stimulate the cash circle in the spectator's mind. This concept is based on the idea of "making what is strange" and this turns it into a poetic act. Brecht intended, from this concept, to extract emotion from theatrical production and to distance the viewer from the characters of the play and the actors' departure from their roles, and then the truth becomes easier to understand. Asghar Farhadi is considered one of the most important Iranian film directors, and he is one of the few who owns a style of their own, and The Salesman is one of his most important films as we in this article seek to show the way this film took in order to find positive and interactive viewers through two main axes: characters and their conversations as well as direction. Here we can see the way the Audience is formed. By extrapolating this film with the opinions of Brecht, and the reasons for the influence of the film "Froshendeh" or Salesman, on the Audience, it will be analyzed through the concept of divergence and Identification. It seems that Farhadi like Brecht uses the same indirect methods, to reach effective and active viewer and forcing the Audience to think. But, of course, Farhadi's style does not contradict the Audience's Identification with the characters of the film, in addition to creating a special and modern type of divergence in his own way through camera movements, decoration, decoupage, film Abstract: framing, and narrative. Because in the present era with ordinary subjects and a normal treatment of the story, this does not force the viewer to think.

Cites

No record.

References

No record.

Cite

APA: Copy

FAHIMIFAR, ASGHAR, POURMAND, HASSANALI, & Drib, Muhamad khayer. (2019). Distancing Effect and Identification of the Audience in the Film Salesman by Asghar Farhadi and Based on the Views of Bertolt Brecht. JOURNAL OF STUDIES IN THE HUMANITIES, 26(2 ), 93-124. SID. https://sid.ir/paper/374682/en

Vancouver: Copy

FAHIMIFAR ASGHAR, POURMAND HASSANALI, Drib Muhamad khayer. Distancing Effect and Identification of the Audience in the Film Salesman by Asghar Farhadi and Based on the Views of Bertolt Brecht. JOURNAL OF STUDIES IN THE HUMANITIES[Internet]. 2019;26(2 ):93-124. Available from: https://sid.ir/paper/374682/en

IEEE: Copy

ASGHAR FAHIMIFAR, HASSANALI POURMAND, and Muhamad khayer Drib, “Distancing Effect and Identification of the Audience in the Film Salesman by Asghar Farhadi and Based on the Views of Bertolt Brecht,” JOURNAL OF STUDIES IN THE HUMANITIES, vol. 26, no. 2 , pp. 93–124, 2019, [Online]. Available: https://sid.ir/paper/374682/en

Related Journal Papers