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Information Journal Paper

Title

The Ontology of the In-text Addressee in New Wave Poetry

Pages

  95-121

Abstract

 New Wave poetry emerged as one of the trends in contemporary Persian poetry in the intellectual atmosphere of the 1960’ s. It was influenced by modernism and existentialism; therefore, it can be classified as Self-reflective and subjective. In a world where ‘ I’ is placed at the center, events and its surroundings, and even the ‘ Self’ are being identified based on subjectivity. Such identification is manifested merely through an exterior and dialogic interaction with an ‘ other’ who the poet addresses as ‘ you’ . An in-depth ontological analysis of this ‘ you’ in New Wave poetry indicates that the signifying and referential scope of ‘ you’ as a pronoun is Self-referential in most cases, despite its manifestations. In other words, ‘ you’ has a superficial reference which constructs a narrative identity. This enables the poet to provide better and more precise conditions to understand his/her personal identity within an interior and exterior back and forth movement. However, the signifying scope of ‘ you’ has been expanded to the ‘ other’ as an exterior and independent being to complement and make the ‘ Self’ and its surrounding world impersonal. Therefore, addressing ‘ you’ as the ‘ Self’ , ‘ sameness’ and ‘ other’ has a cognitive nature, and when the poet begins to look beyond himSelf/herSelf, concepts such as justice, freedom and humanity appear in the poems and ‘ you’ also signifies politically and socially.

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    APA: Copy

    RAMINNIA, MARYAM. (2020). The Ontology of the In-text Addressee in New Wave Poetry. LITERARY THEORY AND CRITICISM, 5(1 (9) ), 95-121. SID. https://sid.ir/paper/390547/en

    Vancouver: Copy

    RAMINNIA MARYAM. The Ontology of the In-text Addressee in New Wave Poetry. LITERARY THEORY AND CRITICISM[Internet]. 2020;5(1 (9) ):95-121. Available from: https://sid.ir/paper/390547/en

    IEEE: Copy

    MARYAM RAMINNIA, “The Ontology of the In-text Addressee in New Wave Poetry,” LITERARY THEORY AND CRITICISM, vol. 5, no. 1 (9) , pp. 95–121, 2020, [Online]. Available: https://sid.ir/paper/390547/en

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