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Information Journal Paper

Title

tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband

Pages

  147-174

Abstract

 tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband One of the main poetic themes of the poets of the ninth and tenth centuries AH is religious, praiseworthy and manqabat. Imitation and monologue became very popular among the poets of this period, and the tarkybband of the verse to tarkybband religious poems with the poetry of Mohtasham Kashani, the poet of the tenth century, reached its peak and flourished. Throughout the world, there are fewer Shiite Muslims who have not sung or whispered the tarkybband of Mohtasham Kashani's string, since the two poets spent some time of their poetic life in India. Esfarayeni is reminiscent of the ninth-century poet. This study tarkybband the stylistics between these two tarkybband of clauses in three levels: linguistic, literary and intellectual, and tries to enumerate the differences and similarities between the two and clarifies the reasons for the superiority of each of them as much as possible.

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  • Cite

    APA: Copy

    shkkaki, Ali. (2020). tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband. JOURNAL OF RELIGIOUS LITERATURE AND ART STUDIES, 5(1 (17) ), 147-174. SID. https://sid.ir/paper/412359/en

    Vancouver: Copy

    shkkaki Ali. tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband. JOURNAL OF RELIGIOUS LITERATURE AND ART STUDIES[Internet]. 2020;5(1 (17) ):147-174. Available from: https://sid.ir/paper/412359/en

    IEEE: Copy

    Ali shkkaki, “tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband,” JOURNAL OF RELIGIOUS LITERATURE AND ART STUDIES, vol. 5, no. 1 (17) , pp. 147–174, 2020, [Online]. Available: https://sid.ir/paper/412359/en

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