INNOVATION AND NOVELTY IN SAFAVID ART: PAINTING

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AZHAND Y.

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Journal Paper

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Journal: HONAR-HA-YE-ZIBA Year:2000 | Volume:- | Issue:7 Page(s): 4-10

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Title

INNOVATION AND NOVELTY IN SAFAVID ART: PAINTING

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AZHAND Y. | Issue Writer Certificate

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Abstract

Early Safavid painting combined the Traditions of Timurid Herat and Turcoman Tabriz to reach a peak of technical excellence and of emotional expressiveness which for many as the fint'st hour of Persian painting.The Safavid dynasty lingered on until Nadirshah crowned himself in 1736, but was in decline after death of Shah Abbas I in 1629. Shah Safi I died in 1941 and was succeeded by Abbas II, who Reigned until 1666. He inherited his grandfather, interest in arts and appreciated fine things. Shah Sulayman I succeeded Abbas II in 1666 and reigned until his death in 1694. His successor sultan Husayn reigned to 1722, by which latter date the Afghans had occupied Isfahan.European Modes of representation in a novel and a pealing style the set the direction for later Iranian painting on both small and large scale. Indeed at this period oil paintings on canvas in this style were first produced in Iran. These European ideas could have reached Iran either directly from Europe or via India and Ottoman Turkey. European elements are more clearly seen in the works of Mu'in Mussavar, Mohammad Zaman, Shaykh Abbasi, Aliquli Jebadar, Shafi Abbasi, and Bahram Sofrahkash. This article survey European element in late painting of Safavid Period.

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APA: Copy

AZHAND, Y.. (2000). INNOVATION AND NOVELTY IN SAFAVID ART: PAINTING. HONAR-HA-YE-ZIBA, -(7), 4-10. SID. https://sid.ir/paper/533672/en

Vancouver: Copy

AZHAND Y.. INNOVATION AND NOVELTY IN SAFAVID ART: PAINTING. HONAR-HA-YE-ZIBA[Internet]. 2000;-(7):4-10. Available from: https://sid.ir/paper/533672/en

IEEE: Copy

Y. AZHAND, “INNOVATION AND NOVELTY IN SAFAVID ART: PAINTING,” HONAR-HA-YE-ZIBA, vol. -, no. 7, pp. 4–10, 2000, [Online]. Available: https://sid.ir/paper/533672/en

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