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Information Journal Paper

Title

THE REED AND THE AEOLIAN HARP: COLERIDGE’S “THE AEOLIAN HARP”, RUMI’S “THE SONG OF THE REED” AND JUBRAN’S AL-MAWAKIB AND IMAGINAL PERCEPTION

Pages

  13-32

Keywords

Not Registered.

Abstract

 The language of poetry is universal, for unlike other discourses it strikes the responsive chords in the imagination rather than a particular linguistic competence. This universal appeal stems from its archetypal imagery, music and elemental philosophical and mystical notions- at we call metaphorically the language of the soul, which triggers and finds response in man’s imagination. The language of literature manifests the deep affinity between apparently different cultures and emphasises that common aesthetic appreciation that is rooted in imaginal perception. Two archetypal images in this universal language are the reed and the Aeolian harp, the wind instruments that aptly manifest the common epistemological concerns of mysticism, Christian and Muslim, and the European Romanticism.

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    • Cite

    APA: Copy

    ASADI AMJAD, F.. (2007). THE REED AND THE AEOLIAN HARP: COLERIDGE’S “THE AEOLIAN HARP”, RUMI’S “THE SONG OF THE REED” AND JUBRAN’S AL-MAWAKIB AND IMAGINAL PERCEPTION. MYSTICISM STUDIES, -(5), 13-32. SID. https://sid.ir/paper/555202/en

    Vancouver: Copy

    ASADI AMJAD F.. THE REED AND THE AEOLIAN HARP: COLERIDGE’S “THE AEOLIAN HARP”, RUMI’S “THE SONG OF THE REED” AND JUBRAN’S AL-MAWAKIB AND IMAGINAL PERCEPTION. MYSTICISM STUDIES[Internet]. 2007;-(5):13-32. Available from: https://sid.ir/paper/555202/en

    IEEE: Copy

    F. ASADI AMJAD, “THE REED AND THE AEOLIAN HARP: COLERIDGE’S “THE AEOLIAN HARP”, RUMI’S “THE SONG OF THE REED” AND JUBRAN’S AL-MAWAKIB AND IMAGINAL PERCEPTION,” MYSTICISM STUDIES, vol. -, no. 5, pp. 13–32, 2007, [Online]. Available: https://sid.ir/paper/555202/en

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