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Information Journal Paper

Title

FROM AVESTA SIMORGH (ROC) TO GOLD SIMORGH (ROC)

Pages

  75-94

Keywords

SIMORGH (ROC) AND CONTEMPORARY PERIODQ2

Abstract

 According to the role of Simorgh (Roc) archetype among authors and artists, we see effective presence of Simorgh in classical Persian texts having different functions like MYTHical, epic, philosophical, mystical and so on roles. Among these functions, it has shapes of birds, human, gods, and angels and so on in early periods; and it has different forms, features, and functions due to presence of MYTH; while in contemporary world, Simorgh is no longer a strange and mysterious being, and it is a multi-patterned bird in literature and other forms of art. This shows that Simorgh has got to objectivity from abstraction in the historical transition to contemporary art and literature; and it has declined from its original fine status in contemporary poetry instead of improving or at least stopping in being applied in previous sublime uses.

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    Cite

    APA: Copy

    DAVOUDI MOGHADAM, FARIDEH, & ASKARI, ZAHRA. (2013). FROM AVESTA SIMORGH (ROC) TO GOLD SIMORGH (ROC). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, -(30), 75-94. SID. https://sid.ir/paper/56291/en

    Vancouver: Copy

    DAVOUDI MOGHADAM FARIDEH, ASKARI ZAHRA. FROM AVESTA SIMORGH (ROC) TO GOLD SIMORGH (ROC). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI[Internet]. 2013;-(30):75-94. Available from: https://sid.ir/paper/56291/en

    IEEE: Copy

    FARIDEH DAVOUDI MOGHADAM, and ZAHRA ASKARI, “FROM AVESTA SIMORGH (ROC) TO GOLD SIMORGH (ROC),” PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, vol. -, no. 30, pp. 75–94, 2013, [Online]. Available: https://sid.ir/paper/56291/en

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