THE NARRATOLOGICAL CRITICISM OF “WOMEN WRITER”

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SHAHINI ALIREZA; NASR ISFAHANI MUHAMMAD REZA

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Journal: Pazhuhish-i Zaban va Adabiyyat-i Farsi Year:2012 | Volume:- | Issue:26 Page(s): 103-127

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Title

THE NARRATOLOGICAL CRITICISM OF “WOMEN WRITER”

Author(s)

SHAHINI ALIREZA | NASR ISFAHANI MUHAMMAD REZA | Issue Writer Certificate

Keywords

NARRATIVEQ2

MAHMUD GOLD-DAREIQ2

POETICAL STORYQ2

FLUID CURRENT OF MINDQ3

READERQ2

Abstract

NARRATIVE of a story is the most important structural part of it. Appropriate and effective application of NARRATIVE methods is the main success base for every author to make his/her work lasting; therefore, narratological reviewing of a story and analysis of the new and creative methods of NARRATIVE are two important discussions in contemporary story criticism which, beyond motif and theme and content of the work, deals with the completely literary manifests of story text and reveals its different devices. “Women Writer” by Mahmoud Golab-Darei is a story which in its creation, writer particularly focuses on the contemporary NARRATIVE methods of story-writing. The considerable mental NARRATIVE and approaching to the language of poetry and poetic story, and also fluidity of NARRATIVE current which causes ambiguity in story and therefore tolerating different conclusions from READER is of the NARRATIVE feature of this story.

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APA: Copy

SHAHINI, ALIREZA, & NASR ISFAHANI, MUHAMMAD REZA. (2012). THE NARRATOLOGICAL CRITICISM OF “WOMEN WRITER”. PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, -(26), 103-127. SID. https://sid.ir/paper/56305/en

Vancouver: Copy

SHAHINI ALIREZA, NASR ISFAHANI MUHAMMAD REZA. THE NARRATOLOGICAL CRITICISM OF “WOMEN WRITER”. PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI[Internet]. 2012;-(26):103-127. Available from: https://sid.ir/paper/56305/en

IEEE: Copy

ALIREZA SHAHINI, and MUHAMMAD REZA NASR ISFAHANI, “THE NARRATOLOGICAL CRITICISM OF “WOMEN WRITER”,” PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, vol. -, no. 26, pp. 103–127, 2012, [Online]. Available: https://sid.ir/paper/56305/en

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