STYLISTICS OF ART-NOUVEAU IN THE CONTEMPORARY ARCHITECTURE OF IRAN

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HAGHIR S.

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Journal: HONAR-HA-YE-ZIBA Year:2008 | Volume:- | Issue:35 Page(s): 63-73

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Title

STYLISTICS OF ART-NOUVEAU IN THE CONTEMPORARY ARCHITECTURE OF IRAN

Author(s)

HAGHIR S. | Issue Writer Certificate

Keywords

ART-NOUVEAUQ3

EXPRESSIONISMQ2

ART-DECOQ3

IRANIAN NATIONAL ROMANTICISMQ3

RATIONAL NEOCLASSICISMQ3

ARCHITECTURE OF FIRST PAHLAVI’S PERIODQ3

Abstract

ART-NOUVEAU movement, as one of the avant-garde movements of the late 19th century in European art and architecture, had a definite impact on the formation of the architecture of the 20th century and the architecture of the modern era. The expansion and diversity of this movement is a characteristic which differentiate it from other artistic movements of the contemporary period. Most critics of art and architecture historians in the West, share the view that the beginning of modern art has its roots in the developments of the late 19th and early 20th century which is called the ART-NOUVEAU movement. In fact, it should be remembered that ART-NOUVEAU is not a style, but has a wide range of meanings and is generally applied to all the avant-garde in Europe in late 19th century and early 20th century. The aim of this movement was presenting independent and unprecedented art works which shared “novelty” in common. This school, besides believing in the commencement of a new era and letting the artists free from the past limitations, has brought various and different methods and inclinations in architecture.The observation of some of the contemporary architectural works in Iran (especially in Tehran), which have evidently been under the influence of some of the stylistic tendencies of this movement, shows the vast entry of this western artistic movement into the contemporary Iranian architecture in a special period. Diversities, similarities and differences of these stylistic tendencies are to an extent that makes a comparative study on this period of stylistic tendencies, with the aim of separating and recognising these styles in the contemporary history of architecture of Iran, inevitable. This article tries to come close to a new stylistics of this western architectural movement in contemporary Iran with the help of a comparative analysis of the ART-NOUVEAU architectural tendencies in the west and a logical comparison of them in Iran. Also in the pursuit of this objective, this article will probe the possibility of classification of these styles in the contemporary architecture of Iran in a definite time period. In order to gain the objectives of this article, we will at first study and criticise the opinions of the critics in recognition of the style and stylistic specifications of ART-NOUVEAU movement in the backdrop of its formation and then we will classify these styles in the contemporary architecture of Iran by reviewing the examples of architecture influenced by this movement in Iran and by considering the works which have been done in this field. At the end, this article will show that despite stylistic diversity in the architecture of the first Pahlavi era in contemporary Iran, all this architecture is a stylistic sub-category of ART-NOUVEAU movement. In field of typology of contemporary architecture of Iran, so important attempts have been taken place and all of them are appropriate for scientific appreciate. But regard to architectural stylistic of ART-NOUVEAU in Iran, as study of an era base on comparative method, in this paper, is absolutely novel and its results are unique.

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APA: Copy

HAGHIR, S.. (2008). STYLISTICS OF ART-NOUVEAU IN THE CONTEMPORARY ARCHITECTURE OF IRAN. HONAR-HA-YE-ZIBA, -(35), 63-73. SID. https://sid.ir/paper/5689/en

Vancouver: Copy

HAGHIR S.. STYLISTICS OF ART-NOUVEAU IN THE CONTEMPORARY ARCHITECTURE OF IRAN. HONAR-HA-YE-ZIBA[Internet]. 2008;-(35):63-73. Available from: https://sid.ir/paper/5689/en

IEEE: Copy

S. HAGHIR, “STYLISTICS OF ART-NOUVEAU IN THE CONTEMPORARY ARCHITECTURE OF IRAN,” HONAR-HA-YE-ZIBA, vol. -, no. 35, pp. 63–73, 2008, [Online]. Available: https://sid.ir/paper/5689/en

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