"REND" OF HAFEZ AND "BAOL" OF TAGORE

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Author(s)

MASHOUR P. | Issue Writer Certificate

Keywords

Not Registered.

Abstract

"Baol" means charmed and ecstasied, and its root is "bayn" from Sanskrit "vayu" It is applied to a group of delivered dervishes who ignore the material world and its bonds. "Baol" dervishes are the result of composing Sophist and Oppanishad teachings and Buddhist thoughts A call of sincerity and unity of religions is the essence of their beliefs. "Rend" has been repeated in the Work of Hafez about 80 times. Hafez’s "Rend" is a collection and a multi-dimensional paradox; a perfect man plus a cynical calendar free from bonds who makes love by dancing and capering."Rend" in Baol of Bangal, particularly in re-creation of Tagore (1861-1941),is rejuvenated. The most remarkable common aspect between "Rend" and "Baol" is the issue of love. Another point homogeneity of the heterogeneity, i.e. reconciliation of the concepts which are considered contradictory by others. Another point is rebellion against the mundane bonds. There also exists attention to the heart.

Cites

A STUDY OF THE VARIETIES OF PRIDE IN HAFIZ’S DIVAN

References

No record.

Cite

APA: Copy

MASHOUR, P.. (2001). "REND" OF HAFEZ AND "BAOL" OF TAGORE. JOURNAL OF HUMAN SCIENCES, -(29), 25-36. SID. https://sid.ir/paper/66868/en

Vancouver: Copy

MASHOUR P.. "REND" OF HAFEZ AND "BAOL" OF TAGORE. JOURNAL OF HUMAN SCIENCES[Internet]. 2001;-(29):25-36. Available from: https://sid.ir/paper/66868/en

IEEE: Copy

P. MASHOUR, “"REND" OF HAFEZ AND "BAOL" OF TAGORE,” JOURNAL OF HUMAN SCIENCES, vol. -, no. 29, pp. 25–36, 2001, [Online]. Available: https://sid.ir/paper/66868/en

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