مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Journal Paper

Paper Information

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

video

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

sound

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Persian Version

مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

View:

121
مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Download:

152
مرکز اطلاعات علمی Scientific Information Database (SID) - Trusted Source for Research and Academic Resources

Cites:

Information Journal Paper

Title

Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power

Pages

  93-104

Abstract

 Problem statement: Over the last 40 years, the Islamic Republic of Iran has always attempted to deepen the concept of “ Islamic Art” in painting to exploit it for reinforcing its conceptual discourse. Hence, some Painting genres have been categorized as Islamic art. Such genres may be remnants of previous centuries (Miniature, Illumination, Golo-Morgh, New Miniature and Qahvekhane’ i paintings) or originate from sociopolitical events of the era with their idiosyncratic content and aesthetics. However, all of them have a similar representation in people’ s minds. Research objective: This study aims to identify articulated Predications that convey Islamic meaning according to the regime’ s discourse. Research method: This study employed Laclau and Mouffe’ s discourse analysis as well as qualitative content analysis to identify all discourse elements of stated genres. Conclusion: The findings revealed that the genres of Iranian painting, traditional painting, revolutionary painting, and ‘ holy defense’ painting respectively have the following Predications: 1) revelatory, mystical, and epic; 2) moral, spiritual, and divine; 3) ideological, propagandistic, and justice-oriented; 4) idealistic, value-based, and resilience. The said Predications are centered on the pivotal discourse of the dominant power, i. e., Shia Islam; therefore, all of them can be categorized as Islamic art. In different conceptual realms of historic– civil Islam, each of the said genres, theological– didactic Islam, ideologicalsovereign Islam, and political-ideological Islam, has enriched other discourse Predications and helped achieve different political goals.

Cites

  • No record.

    • References

  • No record.

    • Cite

    APA: Copy

    ZAREZADEH, FAHIMEH. (2022). Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power. BAGH-E NAZAR, 18(103 ), 93-104. SID. https://sid.ir/paper/697818/en

    Vancouver: Copy

    ZAREZADEH FAHIMEH. Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power. BAGH-E NAZAR[Internet]. 2022;18(103 ):93-104. Available from: https://sid.ir/paper/697818/en

    IEEE: Copy

    FAHIMEH ZAREZADEH, “Recognition of Several Iranian Painting Genres as Islamic Art through the Discourse of Dominant Power,” BAGH-E NAZAR, vol. 18, no. 103 , pp. 93–104, 2022, [Online]. Available: https://sid.ir/paper/697818/en

    Related Journal Papers

  • No record.

    • Related Seminar Papers

  • No record.

    • Related Plans

  • No record.

    • Recommended Workshops

  • No record.





    • Move to top
    telegram sharing button
    whatsapp sharing button
    linkedin sharing button
    twitter sharing button
    email sharing button
    email sharing button
    email sharing button
    sharethis sharing button