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Information Journal Paper

Title

ON TRANSLATABILITY OR UNTRANSLATABILITY OF DISCOURSE OF SATIRE

Pages

  55-68

Abstract

 Contemporary Parisian literature, especially, on the eve of the Constitutional Movement (1905- 9) and afterwards, considers "satire" as a literary genre in which social and political injustice and flaws are underscored in a humorous language. This article, on the basis of Nida’s "principle of equivalent effect" (1966), asks if satire can transcend the geographical and cultural frontiers. The author maintains that, from a translational perspective, texts of satire may be divided into two main groups:.' Form-oriented' and 'meaning-oriented' - the former, usually containing figures of speech, bardly translatable. The discussion proceeds by presenting instances of satire in both English and Persian and the difficulties on the way of translators.

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    APA: Copy

    GHAZANFARI, MOHAMMAD. (2011). ON TRANSLATABILITY OR UNTRANSLATABILITY OF DISCOURSE OF SATIRE. TRANSLATION STUDIES, 9(34), 55-68. SID. https://sid.ir/paper/96261/en

    Vancouver: Copy

    GHAZANFARI MOHAMMAD. ON TRANSLATABILITY OR UNTRANSLATABILITY OF DISCOURSE OF SATIRE. TRANSLATION STUDIES[Internet]. 2011;9(34):55-68. Available from: https://sid.ir/paper/96261/en

    IEEE: Copy

    MOHAMMAD GHAZANFARI, “ON TRANSLATABILITY OR UNTRANSLATABILITY OF DISCOURSE OF SATIRE,” TRANSLATION STUDIES, vol. 9, no. 34, pp. 55–68, 2011, [Online]. Available: https://sid.ir/paper/96261/en

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