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Information Journal Paper

Title

Consideration of the issue of “ Mimeisis” in the based Azerbaijanian fine arts

Pages

  129-139

Abstract

 One of the central questions in the visual art is the concept of mimesis and the interpretation of this concept in Azerbaijani visual art. Identification of the multi-faceted “ mimesis” on specific examples-the work of the artists of Azerbaijan in different epochs, with the prism of the evolution of the visual art and the concept of “ realism” of this time, i. e. “ Truth of Life” in its historical aspect. Relationship to the term “ imitation” since Renaissance is especially manifested from the second quarter of the twentieth century, which is obviously traced in the work of domestic artists with the middle of the twentieth century, when mimesis and Poisis transform concepts in the subjective world of the artist, the realism, which is not Displays the objective world, does not invite the viewer in his own world, it is not necessary to look at things in the world of other prism. At first there were various directions as: cubism, futurism, suprematism, abstractionism, surrealism, etc., but after the concept of “ mimesis” became the vision of her versatility, where the artist is more than one in his own reality, and reality expands the verge of its existence together with the viewer.

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    APA: Copy

    Tahirova, Mehriban. (2021). Consideration of the issue of “ Mimeisis” in the based Azerbaijanian fine arts. METAFIZIKA, 4(3), 129-139. SID. https://sid.ir/paper/969593/en

    Vancouver: Copy

    Tahirova Mehriban. Consideration of the issue of “ Mimeisis” in the based Azerbaijanian fine arts. METAFIZIKA[Internet]. 2021;4(3):129-139. Available from: https://sid.ir/paper/969593/en

    IEEE: Copy

    Mehriban Tahirova, “Consideration of the issue of “ Mimeisis” in the based Azerbaijanian fine arts,” METAFIZIKA, vol. 4, no. 3, pp. 129–139, 2021, [Online]. Available: https://sid.ir/paper/969593/en

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