One of the main classifications in human societies is based on sex. Although this kind of classification is originated from the physiology of human beings but it can result in some stereotypings about men and women.Stereotypes are traits which can be attributed to all members of a group without considering the differences between them.In other words, stereotypes are part of the thoughts and beliefs of each society which can be reproduced within the mainstream culture and transfer to generation after generation.Sometimes these stereotypes can achieve a strong base in the society as if they are a kind of natural quality. In contemporary societies, mass media including T.V. is one of the most responsible mechanisms for reproducing the culture and its elements.In this article it is tried to answer the following questions:What kind of gender stereotypes are presented in Iranian T.V. programs?Is there any link between these stereotypes and Iranian traditional culture?The method applied in this research is qualitative and quantitative content analysis.The present study demonstrates that while in Iranian traditional culture, women have been descried as deceitful, foolish, unfaithful, passive, inferior; men are described as truthful, wise, loyal, active and superior. It is interesting to note that some of these stereotypes such as being deceitful or passive are still reproduced in Iranian T.V. dramas, and being unwise mostly is attributed to women. Generally speaking, women are portrayed as second sex. and inferior to men as superior, active, truthful and loyal. These images are even articulated in family structure which is presented in T.V. dramas.

It should be made clear that in spite of some similarities between syntactic and grammatical analogy and rational or philosophical analogy, they are very different from each other. Syntactic analogy is of originality in language, however after the fourth century some grammarians entered the rational deduction in to syntactic domain, and this issue is a clear fact to the grammarians. The second fact is that this linguistic deduction is generalizable in all grammatical and syntactic matters in such a way that Hamzeh Kasaii, Koufeh's principal, believes that: syntax is a science based on deduction and this deduction is applicable in all matters. Yet, the third fact is related to the lack of knowledgeable grammarians, and nence there is a need to train somd in this field, since improving the knowledge of grammarians on these deductions is very advantageous in boosting their academic level. This paper introduce four syntactic deductions which are based on intellectual basis in Arabic language.

In the present article, some parts of the mystic books called “sabab-e nazm -e keta-b’’ are studied. Studying the sameness and similarities of these parts requires exactness and attentiveness. Their sameness is studied in Mesb a-hul-Arva-h written by Shamsaddin Muha mmad-ibn Bardsiri.

Becoming an exception by his thoughts and style, Mutanabbi is one of the most renowned poets of Abbasid Era. There are lots of accounts of his verses and many published books on his character and poems. This review, however, is concerned with some aspects of ethics and compassion in the context of his words, in the hope of applying them in daily life can provide a means to reach the apex of morality and humanity.

Eghbal and Shabby were two powerful and contemporary poets who were so close to each other from their ideal point of view as well as passing through the same situation as: India and Tunisia being two colonies, kind of education, sharing the gift of Islam and Quran and being trained in the respected religious families.Comparative studies of their poem of these two poets show that their love and care to the religion, and human and moral mission, drive their thoughts to the most elevated position.In this article, by focusing on the similar points in their thoughts, we have compared meaning of love in their poems. For this reason, an attempt has been made to study love among people, nature and life, mother's love, the difficulties in love's way and oppositeness between love and intellect, in the poems of Shabby and Eghbal.