To investigate the influence of primary texture and thermomechanical parameters on hot working behavior of AZ63 magnesium alloy, the flow behavior and deformation texture of hot compression test was compared for both cast and extruded samples. The extruded samples were machined in two extruded and normal directions. Compression tests were carried out at 250oC and the strain rate of 1 s-1 and 0.01 s-1 and various strains. Microstructural observations and texture investigation in various conditions reveal that the presence of extensive twins and contraction twins in extruded samples and extensive twinning in cast samples at primary deformation strains and recrystallization at final strains of extruded samples have a significant influence on texture evolutions.

One of the language’s functions is the literary function. It is the spot of joint of the linguistics and literature. In the literary function, the focus is on the message; so the language of this message distinct of the standard language. The linguists explain this Foregrounding in two ways: escape the standard language that is named Deviation and adding the some rules to it that is named Extra regularity, in three levels: meaning, form and formal realization. The Deviation near the speech to the poetry and the Extra regularity verse it. In this short text, we pay to the most obvious Foregrounding, Deviation, in the Az in Avesta book; because it shows the Akhavan’s art. In addition to so many Deviations forward to the Extra regularity in the Akavan’s poetry, meaning Deviation is rather than the other kinds of Deviation. This kind contains the Figurative language and meaning Rhetoric topics that increase the imagination. Especially the Simile and Metaphor, two forms of poetic images, have used greatly. Then the temporal Deviation, the use the archaic words, is seen plenty; so we see that the other kinds of Deviation is found rarely; because these reduce the word’s glory. Instance is found in the Akhavan’s poetry too, that is untitled or isn’t dependent on the mentioned kinds exactly.

The Quranic Analysis of Women's Hijab from the Perspective of Imam KhameneiAbstract:Hijab is one of the most important values ​​of Islam, which allows women to play an efficient role in social activities by maintaining their human status. Undoubtedly, a woman without a hijab cannot maintain her freedom, dignity and peace, and her presence will not be useful and productive. Even today, the issue of the hijab and the relationship between the government and the hijab has become a challenge and requires research and investigation. Apart from Islamic verses and traditions, Muslim thinkers And the contemporary elders were and are people, including the Supreme Leader, who, with a comprehensive view and hindrances, to the issue of women and hijabNabi's teachings about hijab have been provided to the society, which are definitely helpful and practical. The purpose of this research is the Quranic analysis of the hijab from the perspective of the Supreme Leader, which was done using a library method in a descriptive, analytical and documental way, and the findings of the research indicate that they consider the hijab to be a religious matter and then a rational one, and that it preserves women and It is compatible with women's nature and veiling is introduced as a move against women's nature.Keywords: Supreme Leader, Hijab, Quran, Woman

When giving references to Hadiths, scholars sometimes face the problem of multiple names for a certain author. In other words, an author may have been recorded with different first names, second names or pennames. In this respect, Sheikh Sadouqh claims that Mo’ az Ibn-Moslem and Mo’ az Ibn-Kathir are, indeed, one person. History books as well as books of Hadiths and citations have referred to Mo’ az Ibn-Moslem as Al-Hera, Al-Fera, Bayya Ul-Harvi wa Al-Nahwi and to Mo’ az Ibn-Kathir as Kasayie, Bayya Ul-Aksyeh, Sahib Ul-Aksyeh and Bayya Ul-Karabis. Reports on citations assume authenticity for Mo’ az Ibn-Moslem but not for Mo’ az Ibn-Kathir. Therefore, in case that these two persons are proved to be the same, Mo’ az Ibn-Kathir will emerge as an authentic figure too. As the evidence shows, due to the name resemblance, some recent scholars have attributed the longevity of Mo’ az Ibn-Moslem, as the real figure, to Mo’ az Ibn-Kathir, as the referential figure. According to the findings of this research, these two figures have been reported with the same social class, job and living place in many documents. Besides, they have been equally favored by Imam Sadeqh (pbuh). This brings one to the conclusion that Sheikh Sadouqh’ s claim about the sameness of these two persons is correct, and Mo’ az Ibn-Kathir is thus authenticated.

The Sarvak Formation in Well AZ 354 of Ahwaz Oil Field attains a thickness of 1712 meters and contains creamy to white and occasionally gray limestone. The recorded foraminifera indicate upper Albian to lower Turonian age for this formation. In order to study pale obathymetry and sea level changes during depositional course of the formation, three common methods were used: in the first method, the absolute number of benthic foraminifera and percentage of Hyaline, Agglutinate and Porcelaneous tests and their ratio were determined. In the second method, the ratio of Planktonic foraminifera to Epifaunal benthic foraminifera was determined via using Van der Zwaan equation, Depth= e (3.58718+(0.03534´%P), the obtained average depth was 130 meters for the most parts of the formation. In the third method, the morph otypes of planktonic foraminifera were used for determination of depth. Based on this method for the lower and middle parts, first and second morph otype groups (shallow areas indices) are abundant, showing a shallow sea. For the upper part the third morph otype groups (deeper areas indices) are abundant, indicating an open marine environment. The results showed that generally, the major parts of the Sarvak Formation has been deposited in a neritic environment and in the upper parts, depositional environment turned into a deeper one and reached the upper bathyal depths (340 m).

In modern Persian the preposition "az" signifies the concepts instrument, method, cause, nature, possession, part-whole relationship, source, path, separation, comparison and topic. "az" is the remainder of the preposition hača in Avesta and sačā in Sanskrit. This preposition has been taken from the root "sac/hak" meaning accompaniment and has been used in Middle Persian and Parthian as "az" and "až". In Sanskrit sacā has been used to convey accompaniment. This preposition has undergone two levels of grammaticalization over time: in the first step noun has been converted to preposition to mean “accompanied with” and other meanings derived from it, and in the second step it has been used to convey other meanings such as source and other related senses. The present paper is an attempt to investigate the polysemy of "az" based on the conceptual transfer model.

The ironic expression "az bone dandaan" has been written to mean "wholeheartedly and desirous" in all Persian Dictionaries including general and specific ones like those of idioms and expressions or the ones devoted to a particular poet's or work's terminology. In fact they have just pointed to one aspect of its meaning. Since this meaning was not in accordance with the semantic structure of some of the lines of poetry, the present author analysed a number of cases from Old Poetry and Prose texts. The outcome shows that the aforementioned expression should be regarded as one of the "Opposits" in Persian, because in the collected cases one can see that the expression means exactly something contradictory which has been ignored by lexicographers. In the opposite case the expression means: "obliged or forced to do something." This expression is an adverbial and a prepositional phrase.

The aim of this research is to study the elements of story in Faraj Ba’d az Seddat translated by Hossein Asad Dehestani. The analysis of these stories is on the basis of elements such as subject, moral results, characters, point of view, narrator, setting, language, fabulous events and theme.There are two hundred and thirty one stories that contain religious and ethical subjects. Eighty six (36.44 percent) stories contain fabulous events. Characters are of different kinds such as historical persons, animals (1.72 percent) and fabulous beings (2.11 percent). Human characters are chosen from different kinds of people such as those who are presented by their jobs (32.62 percent), men and boys (47.03 percent), kings and ministers (20.33 percent), women and girls (4.66 percent), prophets and thinkers (4.23 percent), slaves and dervishes (2.54 percent) and unknown characters (1.27) and (0.86 percent) are inhuman. Most stories are narrated in first person point of view (one hundred and twenty five (52.52%) stories). Seventy four stories (31.32%) have unknown or general time and seventeen stories (7.20%) have place. Language of the story is simple Moral results such as self sacrifice and justice are the main themes.