CHRISTianity as one of Abraham religions passed ups and down periods. Saint Mary and Jesus CHRIST (P.B.O.H) had a lot of troubles with Israelites, their beliefs and superstitions. In many Qurānic verses suspicions to them and their being and also injuries made by Israelites have explained obviously, and after 6 centuries showed a beautiful portrait of mother and son for men.

Suffering in the CHRISTian tradition is a term that refers to the esoteric suffering or physical pain of the CHRIST in the last week of his life, as well as to the whole rite of his resurrection. Passion is the first term used in the second century CHRISTian texts to accurately describe the sufferings of CHRIST. The term has many uses and is also used today to describe the account of CHRISTian martyrs. Suffering is one of the most important challenges for human beings. For a religious person, it indicates the relationship of the person with God. The deeper the suffering, the closer one's relationship with God. This relationship is causes so much pain that not suffering any pain is considered secularity. Thus, the CHRISTian’s belief in Jesus CHRIST is one of the most fundamental principles in the doctrine of CHRISTian suffering. It seems that one of the factors of salvation in this religious tradition is concentration, reflection and adherence to the suffering of Jesus CHRIST. In this article, an attempt has been made to examine the issue of the passions of Jesus CHRIST in CHRISTianity.

Thefeature of Crist in Matlmavi has been discribed as in Quran. Mowllanameanwhile discribingthe story of CHRIST birth and talk in his craddlefrom what has happen to Mery his mother who became preganent without any husband through God order and has been condemend by people. Then in remembrace of chirist"s life and his mirackleas revivingdead people and curing ill people and curing the blinds and demand for divine food, meanwhile Mowllana did not neglect the result,which based on gnosticism,about CHRIST"scondition.

The analysis of historical and mythical personality of Jesus has entered a new phase after the Renaissance. This new look and approach has also entered into literature, civilization and science. Two important literary works written by contemporary authors namely, The lost Temptation of Chris by the Greek author, Nikos Kazantzakis (1873-1957) and Jesus, the Son of Man by the Lebanese author, Jibran Khalil Jibran are examples of the works which have tried to show different pictures of the personality of this great prophet. The writers of this article first begin by an introduction about the change in approaches to CHRIST and then present a comparative study of the two works mentioned earlier.

In valid historical and literary texts, where many of the Semitic prophets have been historically identified with the kings and heroes of Iran's contemporary national history, there is no trace of CHRIST's name among the prophets compared; whereas considering the integration of CHRIST's personality and fate with a diversity of fictional elements and motifs (such as mythological, epical and folkloric ones) - which naturally pave the way appropriately for such mentioned identification- is contemplative. Through a survey of historical fictional narratives related to CHRIST, and comparing it with the mythological, epical and folkloric news about Siavash and Keikhosorw in the Iranian sources, sixteen partial and general identifications are observed between CHRIST and Siavash; in addition to twenty noticeable other similarities between CHRIST and Keikhosrow which are quite interesting regarding their types and number. This research has surveyed each instance thoroughly and clarified it, finally concluding that most probably the most common and most comparative personalities in the Semitic narratives and the Iranian narratives are CHRIST, Siavash and keikhosrow. That is, it seems that the life and features of these three have been discussed through a unique pattern, and according to their characteristics, their commonthemes and motifs are discussed.

“Mirza Gholam Ahmad Qadyanie” is considered one of the claimants in the field of prophecy and Messianism who appeared in the state of Punjab in India at the beginning of twentieth century. One of his claims is after Jesus CHRIST was crucified, he did not pass away, and rather he recovered and moved to India and died after 120 years and was buried there. Gholam Ahmad, with the confusion of the meaning of *Tavafaa* (i.e. take one’s soul) about Jesus CHRIST in Quran, considered these verses to indicate his death. Moreover, he interpreted the traditions about the return of Messiah and said they did not refer to the Messiah himself; rather they pointed to a person looking very much like Messiah and being his manifestation and believed Messiah’s soul has been revealed in him. This paper investigates Qadyanie’s claim in this regard and criticizes his evidences and arguments.

Arabic Poets have Used Myth Since Long in Their Poems. But After Literary Resurrection and Making Connection with Culture and Literature of West, they Have Used Myth as a new Method for Presenting their Interest and a Useful tool in the Description. CHRIST, one of the God’s Prophets that has Sent to the People for Guidance, in the Arabic Contemporary Poem has a Symbolic Effect. This Personality in the Khalil Havy’s Poem will Associate with Myth and will Gain Mythical.Havy has a Wish of Resurrection in the Rough Situation in Arab’s Territory. a Huge Resurrection that has Gain better life for Arab’s Nation.He has Show more Clear the Path of this Changing in Front of the Public whit Restore to life the Culture of Generosity and Self Denial more Clear.CHRIST in his Poem will Present Renewed life to the Deprived and Oppressed People that is Showing Magnificent of Self-Sacrifice and Devotion. CHRIST in his Poem Such as Tammuz is Resurrection of Myth and will Associate with it. It will Associate with it’s Eminent Meanings and has Gain Unique Mean, as if CHRIST is Such as Tammuz that has Appear in a Different Shape.

CHRISTology of Paul of Samosata was condemned to heresy in the 3rd century AD by the Synod of Antioch for its emphasis on the mere humanity of Jesus and the denial of the substantive divinity and preexistence of CHRIST. This CHRISTology revolves around the three axes of the historical CHRIST, the God-like man, and the saving prophet, and shows that Jesus that like other human beings, is composed of soul and body but more transcendent, and was born of Mary at a point in history; With his moral development, he became worthy of the grace of the Son of God and attained the position of a prophet and the promised Messiah, who had already been designed in the plan of God's salvation. He was united with the will of God by his death to save human beings and to conquer the original sin of man. By looking at early CHRISTianity, the author argues that the CHRISTology of Paul Samosata, which is most closely related to early CHRISTianity, revived the intellectual tradition of Jesus CHRIST and the thought of the early CHRISTians, who considered Jesus to be a mere human. on the other hand, it is in opposition to the Catholic logos-cosmology CHRISTology, which believes in the divinity and humanity of Jesus.

A new trend of weaving pictures in Qajar era is considered to be a revolution in the art of carpet-weaving whether from viewpoint of form or concept. These pictorial rugs were intended to be spread on the floor no more, but they were woven for visual satisfaction, exactly as pictures. These pictures are like an encyclopedia of the cultural life of that era, which covers beliefs, culture and life of the people and can be employed for discovering unknown aspects of their culture and outlook. This paper has amid to understand and find the meaning of one of these rugs, namely "Mary and Jesus CHRIST" by analyzing it using Erwin Panofsky's iconographic method for finding different meaning layers. The paper concludes that the above-mentioned rug has the function of an icon and for fulfilling its "monumental" and "didactic" objectives makes use of Islam doctrine, Qoran's verses and Iranian mystical art and literature. At the end, in search of deep and concealed meanings of this icon hidden beneath its different meaning layers and for finding its "artistic desire" and cultural reasons for its creation, this article shows the votive objective of this rug as a means of obtaining offspring and conforms the public's belief in miraculous power of the icon.

Jesus CHRIST holds a special status in the Quranic literature and in the hadith related from the Prophet Muhammad. The present article deals with the status of Jesus CHRIST in Muslims' conviction in the End of Time, for it has a noteworthy position in Sunnite hadith sources. This topic is categorized under the topic of kitab ishrat al-sa'a "book of the features of the time". One of the signs of the advent of "sa'a "the time", or Resurrection, is the coming down of Jesus from the heavens. This will be take place along with the advent of the Infallible Imam al-Mahdi as well as that of Dajjal.