Fara-text is one of the most popular genres today, introduced by Arash Azarpeyk, and is one of the non-theorized and revival genres that has become a system and a field of literature that is not classified in any genre or poetic or fictional perspective. The Faratext is the return of the avant-garde to the transcendental aspects of all written prose texts-even non-poetic poems-in the tradition of the history of the literature of the ancient nations of the world, which, for all their artistic grandeur, have never been defined in the paradigm of literary genres. Saadi's words are both concise and a mirror of eloquence and rhetoric. Therefore, in this research, by descriptive-analytical method and using library resources, we seek to understand in which literary genre the preface of Golestan and many of its educational lines (apart from its fiction_poetry lines) belong? And with respect to the achievements made by researchers in this work, we believe that they are completely one-sided and the dignity and originality of the word has not been preserved as it should be. According to the components of the school of word originality, the texts in question have transcended the existing frameworks, and finally we see a coherent synergy that in an Orian text, frees itself from the constraints and uses each of the potentials of the word. Thus, the basis of the narrative of such texts is never in the classical and modern definitions of poetry or fiction, but are glorious, literary works which are outside the poetic and fictional ontology. Accordingly, these works are based on the proposed system of Arash Azarpeyk in the Fara-text genre and will not accept any definition other than Fara-text.