Lullabies are first symbol of women's literature. Some of them have religious content. Mothers by them instruct religious & moral teaching to their children. we want to consider this teaching in Persian & Arabic Lullabies. Of participation points in Persian and Arabic religious Lullabies are: mothers want help of God for their children, pray for sweet dream for them and teach main Islam orders to them. Some of contents in Persian religious Lullabies are: prayer for service their children to Imam Reza, Hazrat Massome and Shahe cheragh. Main contents in Arabic religious Lullabies are: mothers use name of Mecca and Kaaba and sentences La Elaha Ella Allah and Mohammad Rasol Allah.

Folkloric Lullabies form an important part of the oral and linguistic literature of every culture and society. This section of oral literature, due to the close relationship with women, is a valuable resource for understanding women social and cultural status in traditional and pre-modern societies. This study, based on feminist approach, focused on gender, explores the context of Sabzevar's Lullabies. The method of this research was qualitative approach of ethnography to access first hand data. The results of this article suggest that Lullabies in traditional and patriarchal societies are among the few foundations for women to move in opposition to the dominant discourse of society. In folkloric Lullabies, women are empowered to recognize their social status and their experience of living in patriarchal society and to reduce and relieve tensions and pressures as active subjects in the maledominated discourses.

Lullabies are one of the most important and valuable branches of popular culture in any ethnic group. The theme of Lullabies is the reflection of thoughts, beliefs, spiritual reflections, social and political concerns, emotions, prayers and individual and social aspirations that can affect the geographical, cultural, social, and political conditions of a society. Because Lullabies are not specific to a particular culture or country, they can have a lot in common, which may be in terms of rhythm, theme, concepts, as well as religious topos, natural, social, geographical, and political motifs and themes. In this descriptive-analytical study, 40 written Sabzevari Lullabies have been collected by the library method to be examined. While identifying the method of the motif formation in them, the most commonly used motifs are presented in order to introduce the native Lullabies of Sabzevar and to understand the reflection of religious ideas, social conditions and personal concerns of mothers of that time. After examining the various motifs in these Lullabies, we were able to divide them into four categories: religious motifs, nature, places and relatives. Among the motifs used, the motif "flower" (the name of different types of flowers) with 26 items and the motif "Baba" with 16 items had the highest frequency. The results of this study show that the speakers of these Lullabies have used a variety of motifs to enrich the theme of their Lullabies because their poets have based the existing images and themes on various motifs, most of which form a network of images, their intellectual and emotional themes. Without analyzing them, recognizing the main peculiarities of the concepts in these Lullabies could not be understood.

women's wordstyle in Lullabies . abstract : Lullabies are a kind of verse folk literature which , in fact , ought to be regarded as completely women’s texts . The stylistic study of women’s texts through linguistic methods in order to gain the characteristics of female language and as a result the scientific criticism of these works constitutes the main objectives of feminine stylistics . This query based on the framework of feminine analysis aims to recognize the stylistics of the various linguistic and mental layers of folk Lullabies . In this research it was found out through descriptive - analytic approach that folk Lullabies are rich with maternal passions and feelings shown in different phonetic , lexical , syntactic and practical levels . The simple and fluent language of Lullabies is a manifestation of the simple thoughts of women of old times creating a special feature . Men’s power throughout history has made women think of the female sex in a masculine way and they recognize their identity depends of men . this kind of attitude has been reflected in the traditional lullaby discourse.

Lullabies are part of the oral literature of any nation, having their roots in the distant past of that nation. In Persian literature, research has been done on this type of oral literature. However, according to the works that have been done in this field in Laki literature and it has been more in the form of collection and it is also scattered and less content analysis; This research seems necessary. Lullabies in the Laki dialect express many of the hopes, aspirations and concerns of the mothers of this land; Therefore, in this study, we have tried to study the literary structure and content of Laki Lullabies and the frequency of Lullabies is another goal of this study. Is to escape the social, cultural and economic situation of this country through the concepts of Lullabies On the other hand, to express the position of women as mothers and their social and cultural concerns.

Iranian lallayi part of folk songs and ancient Iranian and lasting roots in the distant past is.Warbler on our first lallayi unknown.But simply language and applied them being among people of different courses one of the secrets of staying in this beautiful verses. lallayi addition to the Melody of sedation for sleep child have their way of expressing pain and suffering of mothers also has. and this link between women's literature and children's literature established has.sympathetic child's mother and his knowledge of his told he has spoken with. these words audible, although simple, are expressed in but its structure that this article from the perspective of sociological study is narrative. research We first expressed in poetry s lallayi and then explain quiddity And at the end of its narrative structure and narrative structure to review the lallayi discussed -'ve. in Iranian lallayi as it is in the text, like a story narrative structure with sections such as time, place, narrator, returning to the past, to the peak of action, or node Fkny crisis and relief and... be seen.

Lullabies are part of the oral literature of any nation, having their roots in the distant past of that nation. In Persian literature, research has been done on this type of oral literature. However, according to the works that have been done in this field in Laki literature and it has been more in the form of collection and it is also scattered and less content analysis; This research seems necessary. Lullabies in the Laki dialect express many of the hopes, aspirations and concerns of the mothers of this land; Therefore, in this study, we have tried to study the literary structure and content of Laki Lullabies and the frequency of Lullabies is another goal of this study. Is to escape the social, cultural and economic situation of this country through the concepts of Lullabies On the other hand, to express the position of women as mothers and their social and cultural concerns

Understanding the ideologies and the world-views of the author is the goal of the critical analysis of the discourse of texts, which is achieved through the analysis of verbal organizations beyond a sentence. Critical discourse analysis has various approaches, one of the most famous and practical of which is Fairclough's approach. In this research we have examined Lullabies based on Fairclough's approach of critical discourse analysis. In the level of lullaby descriptions, discoursive structures and linguistic applications with ideological meanings were studied; in the level of interpretation, we conducted analysis of intertexuality and situational contexts including religious, geohistorical and sociocultural situations and the level of lullaby explanations includes analysis of the relationship of power with the two sexes and its unequal distribution and critically analyzing the effect of ideological hegemony on women's thoughts. The result of the research shows that the dominant thinking in the society is misogynistic. Therefore, women regard the female sex with a masculine manner and do not consider an identity for themselves without the masculine identity. Yet, women's level of awareness and their social activities in the new era have caused us to witness no more of such ideologies in the discourse of the new Lullabies from the new mothers. Women are also more aware of their rights, abilities, and social status than before.

Lullabies are one of the most important songs in public literature of any nation, which have been handed down from past to the present day. In Balochi, these types of songs are called "Lilo" or "Loli". This article examines Lilo in the Balochi language and introduces these popular poetries before analyzing them from two perspectives of structure and content. The author collected the most popular Lullabies while introducing such songs, investigating the meter and form, rhyme and rhythm. Then, the most important themes and functions and their connection with social life, religious concepts, life situation and their beliefs have been investigated. The format of all Lilos is "Traditional Balochi" and in terms of meter, they are often prosodic and close to poetical meter. Some of the themes observed in such songs are: Expressing the wishes of a mother for her child, praying, serenity, reducing anxiety, inspiring the happiness and cuddling of the child, fighting against enemy, assimilating child to national heroes, expressing the brand of baby food, a bridegroom with a heavy dowry, hospitality and praying for childless mothers to have children. The method of investigation in this article is field studies and descriptive-analytical method based on sixty Lullabies.

The aim of this research is analyze the content of Lamerd's Lullabies in Fars Province with sociological approach and to illustrate women's situation in family and the function of these Lullabies in the mentioned region. The method of this study is qualitative content analysis of Lullabies with inductive approach. The results of the research were considered in two sections: 1) the concepts related to family structure and functions of Lullabies in relationship between couples.2) Functions of Lullabies in relationship between mother and her baby.The findings show the women's situation in traditional and male-dominated society and claim that in such circumstances Lullabies had hidden functions for women: 1) they construct protest space for women 2) they prepare conditions for dialogue and explanation of desire and in better words facilitate establishing relationship for women.3) Prepare space to get rid of psychological and structural stress. Therefore Considering the functions of Lullabies for women, women's Lullabies can be considered as media.