Sultan Ibrahim Mirza (April 1540- February 1577) was the son of Bahram Mirza and the grandson of Ismail I. His father, Bahram Mirza, was the youngest son of Ismail I and along with Shah Tahmasp I, had two other brothers named Elqas Mirza and Saam Mirza (the author of Tohfe-ye Saami). Around 1562, he was appointed the governor of Mashhad and kept the position for the rest of his life. The present paper attempts to introduce his POEM (regarding the Edit of manuscripts) and have a look at his art of poetry. The only remaining work of his is a POEM is registered and being kept in the library of Kakhe Golestan under the entry number 2183 and line number 139 with its pages 337 to 340 of the first volume in the section assigned for POEMs under the name Djahi POEM (the poet's pen name). According to some scholars, his POEM included some 3000 verses (Khulasat al-Tavarikh, p 110). The POEM available now has 993 verses 859 of which are in Persian and the rest are in Turkish. It includes a prose introduction, 8 odes, 90 sonnets and 58 quatrains along with some Turkish POEMs. This POEM is collected by Sultan Ibrahim Mirza's daughter, Lady Goharshad, in 1581, five years after her father was killed by Ismail II. This selection is extracted and compiled from among all his POEMs by his daughter and her poetic taste. His POEMs are abundent with praising prominent figures in Islam and Shiite including the holy prophet, Muhammad (PBUH), Imam Hussain (PBUH) and Imam Reza (PBUH), orientating on events, caring about the beloved, mystic concepts, historical points and vainglory. His poetry is simple, fluent and effective.

Takikestan is a part of great Khorasan. Khorasan was birth place of grate men of science and literature of Iran, such as Rodaki, Naser Khosro and Roomi, and now separate from the principal, despite of all the hardship they endure the contemporary centuries, people still organize POEM, teaching classic POEM style and also lyrics, this article has attempted to examine the contemporary poetry of Takikestan and overview of development of contemporary POEM and poetry of this land considered.

The article aims to introduce the POEM “Ghazavat” (غزوات), a work by the Safavid scholar and poet Mirza Abu Taleb Fendereski. Notably, the work is an independent POEM while all the sources in the Persian literary history have identified it as Takmale-ye Bazel-e Mashhadi’s Hamle-ye Heydari (تکمله حمله حیدری). The article explains reasons depicting that it is not a complementary work ((تکمله.

In this article, with the title of "city and POEM" the author tried to present the place of city and related sciences of it in contemporary literature. The purpose of this writing is searching of some viewpoints of poets about city, structures, outputs and various revenues, because the poets like the other citizens have the right presenting of thinking and their belief about the living in the city and their settlements. Therefore, it was tried, for the basis of descriptive and analytical method, to do the composed consultation from literature and urban planning in different titles such as "city, social ecology and poets", "city, architecture and poets", "city, migration and poets" and etc. The writter is hopeful that city makers, architectures, city planners and all experts in city fields to investigate deeply in belief and thought of this group of citizens in architectural style, management and planning. The writer is also hopeful that they respect to the wishes and needs of this group of citizens whom they are the expressive language of other citizens.

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Introduction: The most common of farmers' occupational exposure is exposure to pesticides. Organophosphate pesticides (OP) are widely used in agriculture to control pests. The main mechanism of Organophosphates (OPs) toxicity is irreversibly inhibiting of Butyl cholinesterase and acetyl cholinesterase. POEM model (Predictive Operator Exposure Model) was made to assess exposure and absorption of the pesticides. The aim of this study was to estimate the rate of exposure of farmers in West of Iran to organophosphates with POEM model and to compare its results with activity level of plasma cholinesterase (PChE). Methods and Materials: In this descriptive and analytical research, farmers were divided into two same groups who were exposed to diazinon. One group of them wore full personal protective equipment (PPEs) and the second group including farmers with daily routine work had no proposed personal protective equipment. Before and after spraying operation, a blood sample was collected from both groups of farmers, as well as from control group. Then plasma cholinesterase activity was measured by DGKC (German Biochemical Society) and photometric device. Farmer’ s exposure to OPs was estimated with POEM model. Results: The activity mean PChE enzyme in the groups with and without personal protective equipment was 11639. 3 mg/l and 8516. 3 mg/l, respectively. The mean of predicted total absorbed dose and predicted total exposure to toxic substance in group with PPEs was 9. 1 mg/day and 0. 15 mg/kgbw/day, respectively and in group with PPEs were 0. 5 mg/day and 0. 009 mg/kgbw/day, respectively. dermal exposure average, percentage of dermal absorption, absorbed dose at the time of preparing the poison solution and spraying, by using of the POEM model was significantly higher in the no PPE group than in the PPE group (P<0. 001). Conclusion: This study showed that the use of personal protective equipment prevents from the effects appearing of pesticides by reducing the activity of PChE. With the increasing in PChE activity, the values of POEM model parameters decreases such as the absorbed dose of the skin and the inhalation of the toxin. Therefore, the POEM model can be used to check the exposure of people with pesticides. Finally, this study suggests that from the POEM model can be considered as a screening tool to identify individuals at exposure of pesticides to the next steps for biological monitoring, diagnosis and treatment.

In this paper, a comparison has been made between Divine revelation and POEM. The definitions, the conceptual components and the properties of Divine revelation, and POEM have been presented and discussed. As is understood Divine revelation is essentially different with POEM. POEM can be originated from Divine inspiration, Satanic inspirations, human intuition and sensation. Further, even Divine inspiration differs from Divine revelation also. The poet's imaginations, sensations and thoughts are of essential affection on POEM. Finally POEM has been proved as something not comparable to Divine revelation. In this way, it has been made clear that there is no resemblance between Divine revelation, and POEM.  

It seems that it’s possible to find some common rules and principles in the unitary system of the universe and then reach a holistic and comprehensive low.This article proposes that "the force of POEM" is a physical force. At first, a definition of POEM is presented and then by using the relationship between structural units of language, specially associative relations (mentioned by F.de sausure) and metaphoric pole (mentioned by R. Jackobson), the displacement of signified via the signification is explained. This displacing marks the word and turns it into metaphor. This happens by a force which can be named "The force of POEM.

Khaghani shervani, a great literarian of Persian literary in 6th century, is the first master poet in Persian speech as supposed highly in many aspects of lecturer. The used meanings through the khaghani's POEM was ignored as his using of metaphors, art POEMs and scientific expressions, which are his own style.Manifesting Gnostic thoughts an concepts in Persian poetry coused many poets to exercise their nature, to express their ideas in the field.Specially some issues, frequently manifested through khaghani's POEMs, are Gnostic and suffis concepts the general study of his thoughts from the view is more extent than the essay so in this essay is tried to examine the poverty concept- he knows himself as a theories in the field.

Many critics and researchers believe that Andelos POEM is the continuation of Arabic POEM in the East. This viewpoint comes from this matter that the East was the aspiration of the people in Andelos and they searched their ideal POEM in Arabic East and considered the eastern POEM a model for the form and the contents of their POEMs.Therefore, poetical intentions in Andelos POEM are the same poetical intentions in the East, i.e. eulogy and elegy, lyric POEM and glory, lyric POEM and satire. As the contents of their POEMs were imitation of eastern concepts. Undoubtedly, the effect of atmosphere and the particular culture of Andelos was consciously or unconsciously felt in Andelos POEM.