In the works of the Photorealist artist Dan Eddie, objects such as shop windows are an attempt to fade and vulgar reality. In these works, the lack of attention to human presence and human concepts was raised more than any other viewpoint. Marx had previously shown that relation between objects obscure relations between humans, commodity economics, social relations, necessarily form objects, and cannot be expressed except through objects. According to the theory of idolatry, the structure of commodity economics makes, objects a very special social role. The theme of the showcases as a fascinating subject was given to the attention of Edwardian photorealist artist. The objects behind the showcases stared at every visitor with the utmost precision, along with detailing with inexhaustible technique and skill. Glamorous objects can represent the presence of consumer-oriented man and machine and industrial life. Donald Eddie’, s desire or unwillingness to depict the socioeconomic relations of production relations and their produced objects, and only the aspect of their consumption can be seen at first glance, while beyond this value, the hidden aspect of the goods cannot be seen as these people beside And socializing, have ignored their time and time in producing such goods. As we have said before, in the capitalist society, the produced value of human value is destroyed and the process of exchange in the economy of goods also emerge where humans communicate with one another. It is here that trading begins and disintegrates, and all human relationships become object-oriented. The activity and work of human beings are placed against him, and he dominated it that this realm occurs both in the realm of the realm and in the mental arena. Relationships between objects ignore relations between humans and in the commodity economy, social relations are necessarily the form of an object and cannot be expressed except through the object,in the capitalist world, what is called the laws of the market has caused this illusion between The economists belong to the bourgeois class are created when the value of goods inherently belong to the goods themselves, and thus capital goods become spells that, as if they, themselves can have value independent of social and economic relations, and this is capitalism and industry. Every day, it adds up to our object and drowns the development of society, culture and religion, which originates from the capitalist society and the industry, is aimed at investigating the object in the works of the photorealist painter. How has the showcase shown in Dan Eddie’, s works? What is the relation between urban, industrial and object life in the works of Photorealism with which visual elements? The results show that there is an object in the works of the photorealist painter who is in the hidden layers of capitalism and industry, which shows us as an object. The result of capitalism is based on the intrinsic nature of the worker with industrial equipment and products. The research methodology is descriptive, analytical and data collection as documentary, library and digital.

While Nizami’ s adroitness and expertise in detailed illustration and description have always been the focus of attention of the analysts of his works, so far there has been no due analysis of his artistic techniques and the various patterns he has used in description and image-creating. Choosing Haft Peykar as one of the most prominent works of Nizami and using a descriptive-analytical method, this study aims to answer the two fundamental questions of what aesthetic, rhetorical, narrative, etc. functions, Nizami’ s skillful illustrations and detailed descriptions in the text are and whether it is possible to determine cogent and verifiable patterns in Nizami’ s descriptions and illustrations. As a result of this research, it became clear that Nizami made his work tangible and realistic for the audience by objectifying and reifying what was described. This objective entity itself has secondary functions that can be investigated in the areas of rhetoric, aesthetics, or narrative logic in the text of Haft Peykar. Most of the descriptions and illustrations of this work can be classified under specific patterns.

House of Edriss is the story of the wandering women in the circle of human disasters. Women in the two structural power disciplines and in the two seemingly old and new worlds cannot have any role other than a victim. In this novel, women such as Roxana and Rahilla are considered to be desirable merely because of their beautiful appearance and other women have become obsessed with their traditional life style. In the new communist discipline, these women change their identities to ideologically imprisoned workers. In the novel, one revolution can transform each society,the house of the traditional aristocrats is seized. But women do not get free. Even women like Shaukat, who are at high levels of power, have to deny their femininity, and this is the culmination of women's hostile sexism and self-objecting. On the other hand, Margaret Atwood’, s Handmaid's Tale is the story of handmaids who live in a fantasy country called Gilead, where women do not have the right to read. Women's worth is only about their fertility. The novel, based on the characteristics of defining the identity of individuals through social foundations, which leads to self-centeredness, is an analytical work based on the loss of women's identity in the capitalist system. The analysis of the two aforementioned stories is not based on the female object-oriented approach that the women in the traditional life have neither rights nor human identities, nor have the political trends of the left and the right of the modern world.

The purpose of the present research is to read Brief Interviews with Hideous Men in the light of Fredric Jameson's theories. In Brief Interviews with Hideous Men, the writer depicts how irony and self-consciousness have penetrated the culture of postmodern man and how capitalism and neoliberalism have influenced people's lives and identities and, with the help of ideology, have turned man into a thing incapable of human relations. Fredric Jameson declares that historicizing literary texts can help the readers understand the latent and deep layers of meaning in the works. Jameson's main concern is that in a neoliberal society, the authorities use ideology to preserve power, and by ideology, they turn citizens into consumers. The result is the alienation and Reification of people, and they lose their true identities, which is the death of the postmodern man. By reading this short story collection from a Jamesonian perspective, the reader tries to investigate the man's identity in a neoliberal society to show how a closed system like a neoliberal system can preserve power by using ideology to influence the mindset of the citizens and reify and alienate them and impose the superiority of market on them. This research shows how Wallace investigates man’s identity in a neoliberal society to show how a closed system like a neoliberal system can preserve power by using ideology to influence the mindset of the citizens and reify and alienate them and impose the superiority of market on them and how the identity of people is gone and how the death of the postmodern man has happened.

Future and ideal are something problematic now more than every day before. In this frustrating fog occupying everywhere, all attempts have been assigned to individual needs, personal successes and close future. Collective ideal and far future have become secondary goals. In such conditions “, self”,will cut its ties from social context, will alienated from the society, from history and from itself and will tend to Reification. What role university and academic training will play here? The specific question of this article is how each of the two approaches of natural sciences and human sciences will relate in this alienation? Social faculty of Tehran university has been selected as representative of human sciences and engineering faculty of Tehran university as representative of natural sciences. 15 students of each faculty were interviewed about their ideals, wishes and futures. According to the results, linear determinative scientific causal law dominated on natural sciences in engineering faculty will permeate to the world of human relations. In the sphere of these disciplines society is not an independent totality but just sum of the singular individuals. Ideal and future have seen as not more than just personal success. In contrast in the fluid and multi-paradigm world of human sciences, relation between individual and society will be understood as complicated, multilateral and dialectical. Personal success and collective ideal will be seen as interwoven,and ideal will not know as just personal success inside the status quo, but the will of the change in the status quo itself.

Paying attention to the negative effects of the culture industry is among the principles of critical aesthetics of Frankfurt School. Culture industry eliminates one's creativity and individualism through their assimilation. In this documentary research that was conducted using a descriptive-analytical approach, the first five books of Simin Behbahani, including Jay-e Pa (Footprints), Chelcheraq (Chandelier), Mar Mar (Marble), Rastakhiz (Resurrection), and Khatee ze Sorat va az Atash (A Trajectory of Speed and Fire), were analyzed from the critical aesthetics perspective. The results of this research showed that besides depicting the life narration of the persons such as the dancer, the prostitute, the employee, and the rich man as some manifestations of the culture industry like beauty industry and entertainment industry in her poems, Simin Behbahani has represented Reification as the consequence of the culture industry in the form of gender Reification and administrative Reification. Regarding the form area, Behbahani is, at first, an imitator by following the literary tradition, but she has liberated her art from imitation and entered the creative art area by bringing a manifesto in Khatee ze Sorat va az Atash manuscript and using the unprecedented and rare weights in Persian poetry. It can be said that her poem is an authentic one and complies with the principles of Frankfurt School. This way, Behbahani has, in fact, criticized the consequences of the culture industry by negating the status quo and presenting an indictment against the established rhyme.

One of the characteristics of contemporary Persian poetry about nature is the attention towardsits dark, obscure and mysterious qualities associated with boredom, outrage, ruin, and downfall. These kinds of images in this research are called "dark nature". "Dark nature" is a consequent of the philosophical and socio-political changes and the emerging new ideas in aesthetic and anthropology in the two last centuries of Europe. This article, first of all, examines the facets of this phenomenon and then investigates its emergence in Persian poetry.

The main goal of this paper is to study the impact of I.R.I.B Television programs on religious rituals such as Azadri (mourning celebrations). Therefore, the basic question of the paper is whether the TV religious programs will led to a cultural change or whether they will have a pathological impact on the content of the religious rituals.